FILM · 1971 · INDIA
Anand
40 archived facts 6 topics 1 source Last reviewed Oct 2026
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Hrishikesh Mukherjee initially envisioned Raj Kapoor's brother Shashi Kapoor for the role of Anand. He wanted Raj Kapoor himself, but Kapoor had just recovered from an illness, and Mukherjee could not bear to see him die on screen when he had nearly died in real life. In any case, Shashi Kapoor was not very keen on the role, so Rajesh Khanna took it; it remains his most memorable role alongside Aradhana (1969) and Amar Prem (1972).
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The song "Zindagi Kaisi Hai Paheli" was initially proposed as the background song for the title sequence. After hearing it, Rajesh Khanna felt it would be a waste to use such a beautiful song as a background track over the titles. He suggested to director Hrishikesh Mukherjee that he create a setting for the song. In those days, songs played in the background over titles were played less often on the radio.
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Although Kishore Kumar had become Rajesh Khanna's voice since the success of Aradhana, music director Salil Choudhury insisted on this film that Mukesh's voice would give Anand's character the emotion it needed. Rajesh Khanna immediately accepted the suggestion. When Rajesh Khanna was once asked which was his favorite song, he said it was Mukesh's song "Kahin Door Jab Din Dhal Jaye" from Anand.
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After discussing the project with him, Hrishikesh Mukherjee went to sign Kishore Kumar for the film. However, Kishore Kumar's guard did not let him into the bungalow. Kishore Kumar had instructed him not to let a Bengali man who had come to meet him into the bungalow. Kishore Kumar had performed a music concert for a Bengali organizer who did not pay him, and the two had quarreled. The guard mistook Hrishikesh Mukherjee for that Bengali man. When filming began, Kishore Kumar learned of this and went to meet Hrishikesh Mukherjee, and when Hrishikesh Mukherjee told him the reason, he asked why he had not come to sign a contract with him. Kishore Kumar went and blasted his guard.
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Hrishikesh Mukherjee told Dharmendra the story of Anand one day during the shooting of Satyakam. Dharmendra was completely happy and excited about the film and was told the role would be his. However, Dharmendra was shocked to learn that Rajesh Khanna had already begun shooting for the film. Angry and drunk, Dharmendra called Hrishikesh Mukherjee all night asking why the role had been given to Rajesh Khanna.
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Naa Jiya Laage Naa. There was a great deal of confusion over the lyrics of this song before Gulzar's final version was chosen. Salil Chowdhury asked Yogesh to write the lyrics for the song, while director Hrishikesh Mukherjee also asked Gulzar to do the same. In the end, Yogesh's "Naa Ro Ankhiyaan" was not used because Hrishikesh Mukherjee planned to shoot the song with Gulzar's lyrics.
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Zindagi Kaisi Hai Paheli. This classic Salil Chowdhury song almost did not happen. Another song in the film was mistakenly assigned to both Yogesh and Gulzar. In the end, Yogesh's lyrics - "Naa Ro Ankhiyaan" - went unused because Hrishikesh Mukherjee planned to shoot the song with Gulzar's lyrics. To compensate Yogesh, the producers decided to find a situation for a new song. It was under these circumstances that Yogesh wrote the lyrics of the film's most memorable song.
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