FILM · 1964 · FRANCE
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16 archived facts 4 topics 1 source Last reviewed Oct 2026
All facts (16)
- #001
The voice-over narration is provided by director Jean-Luc Godard.
- #002
The lead actors rehearsed the famous dance scene in nightclubs and bars in the Latin Quarter of Paris.
- #003
The song Odile sings on the metro is 'J'entends, j'entends', a poem by Louis Aragon set to music by Jean Ferrat.
- #004
Quentin Tarantino named his production company A Band Apart after this film.
- #005
The dance is known as the 'Madison dance', although it bears very little resemblance to the actual 'Madison' dance.
- #006
In the middle of the film, when the three are in a café and Odile goes down to the café's lower floor to use the toilet, the music playing in the background comes from Jacques Demy's musical 'The Umbrellas of Cherbourg'.
- #007
In a night scene (52:30), Arthur and Odile walk past a clothing store named "Nouvelle Vague", a reference to the French term for the experimental cinema movement this film belongs to, known in English as the 'New Wave'.
- #008
Odile mentions dancing at 'Mimi Pinson'. 'Mimi Pinson' was a fictional character in Alfred de Musset's book 'Mademoiselle Mimi Pinson: Profil de grisette'. It is likely that the name was given to a dance hall/café. There are connections to Odile's character because Mimi Pinson is a grisette, a term used to describe adventurous, independent young women who live only for the moment.
- #009
Anna Karina's character shares her name with Jean-Luc Godard's mother, Odile Monod.
- #010
While shooting 'Pulp Fiction', Quentin Tarantino showed Uma Thurman and John Travolta the dance scene from this film as inspiration for the now-famous Jack Rabbit Slim's twist contest scene.
- #011
The film was shot in only twenty-five days.
- #012
The book the group buys from the Seine booksellers ("bouquinistes") is Raymond Queneau's novel "Odile". It shares its name with the novel's female protagonist.
- #013
In the now-famous dance scene, Anna Karina accidentally knelt on Sami Frey's groin. This take made it into the extended version, but not the theatrical one.
- #014
At the end of the film, Godard's voice tells the audience that there will be a sequel, though in fact this never happened.
- #015
This film is part of spine number 174 of the Criterion Collection.
- #016
Anna Karina was married to Godard from 1961 to 1965, during the New Wave.
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