FILM · 1986 · USA
Crossroads
28 archived facts 4 topics 1 source Last reviewed Oct 2026
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"Eugene's Trick Bag," the updated classical piece at the film's climax, is largely based on Niccolò Paganini's "Caprice #5." Legend holds that Paganini sold his soul to the devil for his musical talent. Steve Vai mimics Paganini's legendary rolling eyes, long, unkempt hair and gaunt appearance.
- #002
The screenplay was an original by John Fusco, who had long been involved with blues music. He worked as a blues singer and musician but had been warned by a doctor to rest his vocals. In 1981 his girlfriend, who worked at a nursing home, told him that an old Black man with a harmonica had been admitted. Fusco went to visit him and, on the way, imagined a story about what would happen if the player turned out to be a legendary bluesman, which gave him the idea for the story.
- #003
As the film opens, Robert Johnson is shown playing and singing in a high soprano voice. Allegedly he actually had a deeper voice: when his records were made, the master's speed was slowed because Johnson's songs were so long they would not "fit" on the recording device, so slowing the machine would capture more but would raise the pitch when played back. For this reason all of his original 78 rpm records play at a higher pitch than he actually sang. Modern digital technology allows these recordings to be played back at the true and correct pitch by slowing the speed, which lowers the vocal range to its actual range and original speed value.
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Arlen Roth was Ralph Macchio's guitar teacher on the film and played many of his parts. According to Roth's website, the final duel was assembled from parts played by himself, Steve Vai, Ry Cooder and Bill Kanengiser, who performed the classical playing throughout the film. Due to a contract dispute, Roth was not credited in the film.
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Scratch/Legba is taken from the mystical figure Papa Legba. Papa Legba is the Louisiana Voodoo IWA (an immortal spirit assembled from several African religions) who serves as an intermediary between God and humanity. He stands at a spiritual crossroads and grants (or denies) permission to speak with the spirits of Guinea.
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