FILM · 1983 · HONG KONG
High Road to China
98 archived facts 7 topics 1 source Last reviewed Oct 2026
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Bess Armstrong once spoke about the very low temperatures during the film's production shoot: "… I found Yugoslavia so cold that they had to pin thermal layers under my flyaway dress so they wouldn't show… it made it impossible for me to go to the bathroom without six helpers and two people on walkie-talkies relaying my progress to the director, the cameraman and anyone else standing around!"
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The machine guns on Dorothy and Lillian are Lewis Automatic Machine Guns chambered in.303 British caliber. Although the weapon was invented by a U.S. Army captain, it was adopted by nearly every Allied army in World War I before the United States adopted it in 1917. The guns were cheap and reliable, which explains how O'Malley could afford to buy a pair.
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According to the May 1984 British edition of Photoplay, the picture was originally conceived as a vehicle for Roger Moore. Wayne Warga's article "Author! Author!: Upwardly Prolific Down Under," published in the Los Angeles Times (2nd edition) on July 4, 1980, reported that in the early stages of development Moore was set to star opposite Jacqueline Bisset in the film, to be directed by John Huston.
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Actress Phyllis Davis once said she flew to Yugoslavia to visit her friend Tom Selleck on set. He had asked her to bring a few American magazines to read, so as a joke she also brought some pornographic magazines. She was unaware that pornography was illegal in Yugoslavia and was nearly arrested at the border.
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Tom Selleck later said of the character and the film: "I love Patrick O'Malley… At that time there were actors who left a series to start a feature career, but nobody at that point was trying to do both at once. So it was unique. It also made the jury pretty tough, because a lot of people didn't see the situation that way, and I was entering an arena where that wasn't accepted. But it's a good film. It holds up."
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The picture's star, Tom Selleck, said the following about the film's score in the film's music notes: "For 'High Road to China,' John Barry composed a score that combines the film's excitement and romance with the nostalgic mood of Twenties music. The musical range covers a potpourri of the genre now referred to as 'sounds,' and it is truly a musical adventure that reinforces the spirit of the film."
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Around the time the film was made, Hollywood executives perceived actor Tom Selleck as a new Clark Gable, as noted in the May 1984 issue of 'Photoplay' (UK) magazine. According to 'The Guardian', the film was "an attempt to revive the kind of comedy-adventure-romance in which Clark Gable and Jean Harlow quarrel furiously but you know they are really in love". One of these pictures was titled China Seas (1935) and, like High Road to China (1983), had the word "China" in its title.
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According to the film's director, Brian G. Hutton, "In reality, the journey from Istanbul to China [as depicted in the film] is completely impossible". He added: "Making this journey would take forever. One of these biplanes probably had a flight time of four hours and a maximum range of 600-700 miles. Completing this journey would take around 4,000 refuelling stops and half a lifetime."
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It is one of two mid-1980s films about early 20th-century aviation. The other was The Aviator (1985), which also featured biplanes, was likewise set in the same post-First World War period, and was also shot in the same Yugoslav [now Croatian] region around Rijeka. At least eight Yugoslav crew members worked on both pictures.
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Tragically, three members of the production crew lost their lives in a helicopter crash on the set of 'High Road to China' (1983) in Yugoslavia. They were stunt pilot David Perrin, mechanic Jaron Anderson and helicopter pilot Nigel Thornton. The deaths were announced in the show-business trade paper 'Variety' on 26 May 1982. Production on the picture was halted for four days and was scheduled to resume on 29 May 1982.
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Delays in getting the film into principal photography are believed to have meant the film was postponed for so long that it conflicted with Roger Moore's commitment to the James Bond series, in which he appeared in Octopussy (1983) the same year. In the end, 'High Road to China' (1983) finished shooting in July 1982, while 'Octopussy' (1983) did not begin principal photography until around mid-August 1982.
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The film was set in six countries (Nepal, China, Turkey, India, England and Afghanistan) and shot in three countries: the US, England and the former Yugoslavia, which now consists of six countries: Bosnia and Herzegovina, Croatia, Macedonia, Montenegro, Serbia and Slovenia. Of these, the picture was shot in Croatia and Slovenia. Yugoslavia doubled for the six countries named above and was chosen for its "topographical diversity".
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Additional photography for the picture was done in Los Angeles, California, USA, to accommodate star Tom Selleck's commitments to CBS Television and to the contracted TV film The Shadow Riders (1982), on which shooting was due to begin in June 1982. This was announced by producer Fred Weintraub in an article published in the show-business trade paper 'Daily Variety' on 7 June 1982. Ironically, The Shadow Riders (1982), shot after 'High Road to China', aired on television in 1982 before 'High Road to China' was released in cinemas in 1983.
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As reported in the show-business trade paper 'Daily Variety' on 14 April 1982, there were three significant production setbacks on the picture during principal photography. These were: (1) lead actress Bess Armstrong contracted conjunctivitis (2) stunt coordinator Tony Smart broke his ankle and (3) an Afghan village set was destroyed by strong winds. It had cost several hundred thousand dollars to build. Production fell about two weeks behind schedule and the film's $15 million budget soared by roughly $4 million to $19 million.
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According to the website 'Le Cinema Paradiso', "initially Bristol F2B replicas were built by Vernon Ohmert from Ypsilanti, Michigan. This aircraft type appeared in the novel, but after they were built the replicas were considered dangerous to fly at high altitude and were replaced by two Stampe SV-4 biplanes (G-AZGC and G-AZGE) supplied by Bianchi Aviation Film Services."
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According to the October 30, 1978 issue of the entertainment trade paper The Hollywood Reporter, Sidney J. Furie was announced as the film's director as part of a four-picture deal with the production company Golden Harvest. He was later replaced by John Huston, who was in turn replaced by Brian G. Hutton.
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According to an article published in the July 6, 1979 issue of the entertainment trade paper Daily Variety, approximately US$500,000, or half a million dollars, was spent on three copies of a World War I-era Bristol aircraft. These were built specifically for the production by the Visionaire Company of Ypsilanti, Michigan, USA. The company reportedly built the aircraft to original specifications but with stronger frames and more powerful engines. The head of flight operations and aviation consultant on the production, British test pilot Jeffrey Hawke, supervised their construction.
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During the film's Nepal sequence, according to the film's official magazine, "the enemy ace Von Hess (Wolf Kahler) bombs the field and opens fire into the air, and a biplane dies in a blinding explosion." In fact the burning aircraft is a stunt double for 'Dorothy', not the real vintage plane that could and did fly in the film. Ironically, the real 'Dorothy', repainted red, served as Von Hess's aircraft in the spectacular dogfight against [Patrick] O'Malley [Tom Selleck] that climaxes the Nepal adventure in 'Lillian'.
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According to 'Le Cinema Paradiso', the actress reportedly "... dropped out of school only because she wanted to be directed by her husband [John Derek]." Bo Derek's departure from the film was announced in the February 15, 1980 issue of the entertainment trade paper Daily Variety, which also reported that the film's producers would sue Bo Derek. Executive producer Raymond Man-Wai Chow was still searching for a replacement for Bo Derek at the time of an article published in the entertainment trade paper The Hollywood Reporter on August 26, 1980. In the end, actress Bess Armstrong replaced Bo Derek.
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The film's US premiere date of March 18, 1983 was a timeframe moved up roughly three months from the planned June 10, 1983 premiere date, according to the February 23, 1983 issue of the entertainment trade paper Variety. Warner Bros. Studio cancelled the film's original summer premiere date and moved the film to early 1983 to avoid competing with four major franchise sequels, including the two James Bond films Never Say Never Again (1983) and Octopussy (1983). The latter film starred Roger Moore, who had originally been attached to and played the role of Patrick O'Malley in 'High Road to China'.
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The Charity World Premiere of 'High Road to China' (1983) was held on January 12, 1983 in Los Angeles, California, USA. Attendees included the film's stars Tom Selleck and Bess Armstrong, co-star Jack Weston, director Brian G. Hutton and producer Fred Weintraub. Other guests at the event, with tickets priced at $175 to $250 each, included Bob Hope, Carol Burnett, Ernest Borgnine, Shirley Jones, Wayne Rogers and Dina Merrill. The gala charity premiere was held to benefit the Juvenile Diabetes Foundation charity. According to the March 15, 1983 issue of the 'LA Herald-Examiner', proceeds from the gala party were estimated at approximately US$100,000. According to the December 20, 1982 issue of the entertainment trade paper The Hollywood Reporter, the film's further engagements in "several key cities" would also benefit the charity.
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Director Brian G. Hutton once complained about the production, saying: "Most of 'High Road' was exteriors and we didn't have proper cover sets, we had places like garages instead; the tremendous winds outside shook everything so much that a lot of the dialogue had to be looped somehow [dialogue was recorded during post-production after filming ended]."
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The film's official publicity noted that the shooting locations in Yugoslavia, most of them standing in for different nations (Nepal, China, Turkey, India and Afghanistan), were all within a radius of about 50 miles (or roughly 80 kilometres) of the town of Opatija on the Adriatic Sea coast, now part of Croatia. It added: "In some cases you can stand in 'China' and see 'Istanbul', just like on a Hollywood backlot."
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According to the film's Official Poster Magazine, the production had to contend bravely with a herd of horses, 125 trucks and "epic communication problems" with extras who spoke a mixture of Italian, Vietnamese, Serbo-Croatian and Asian dialects among themselves, as well as with the weather, their "number one enemy".
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Regarding 'High Road to China' (1983) and the later Lassiter (1984), and having made back-to-back "costumers" (period pictures), star Tom Selleck once said: "If I'd planned some things ahead, maybe I wouldn't have chosen two period films in a row. But this [Lassiter (1984)] was by far the best thing that came up. I hope I'm up to it. I love the costumes and the hook."
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Actor Tom Selleck reconsidered making Lassiter (1984) a second time just before principal photography on that film began. There was good buzz about 'High Road to China' (1983) and Selleck was receiving a number of offers. However, he was contractually bound to make Lassiter (1984), which he had also signed for, and he remained true to his original idea and his commitment to Lassiter (1984).
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According to the Internet Planes Database (IMPDb), the real and fake registration numbers of the three Stampe SV4C biplanes were as follows: (1) German aircraft with fake registration D-88 (2) Registration G-AZGC, c/n 120, with fake registration G-EOHE (3) Registration G-AZGE, c/n 576, with fake registration G-EQHE.
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According to a blog on the website 'A Day For All Nights', the production used around a thousand extras and background artists, including those in 'the final battle scene with the Chinese warlord's troops'. According to an interview with producer Fred Weintraub in the 17-23 March 1983 issue of 'Drama-Logue' magazine, these people came from Vietnam and Yugoslavia.
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Once producer Fred Weintraub became attached to the film, he took over the production and carried out a rewrite that turned it into a more romantic action-adventure in the vein of The African Queen (1951) and King Solomon's Mines (1950). About two years after the release of 'High Road to China' in 1983, a remake of the latter came out [see: King Solomon's Mines (1985)], while a remake of the former, The African Queen (1977), premiered on television in the same year that Jon Cleary's source novel 'High Road to China' was first published, 1977.
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According to an article published in the 21 August 1983 issue of 'The Los Angeles Times', the film project for Lassiter (1984) began when star Tom Selleck optioned the screenplay written by screenwriter David Taylor. Selleck then presented the film to Golden Harvest, the production company with which he had co-produced 'High Road to China' (1983), and shortly afterwards the company greenlit the picture.
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According to a blog on the website 'A Day For All Nights', the "impressive aerial battle scenes" required the construction of "5 identical biplanes" through the hiring of "a team of professional stunt pilots" consisting of "David Perrin, Eric Muller, John Emiljanczyk and Tony Bianchi", all of whom were familiar with the quirks of vintage aircraft mechanics.
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Literal English translations of some of the film's foreign-language titles are as follows: "Les aventuriers du bout du monde" (France and French Canada) — "Adventurers from the End of the World"; "La gran ruta hacia China" (Spain) — "The Great Route to China"; "Joka vaaroja etsii…" (Finland) — "Who Seeks Dangers…"; "Farlig vej til Kina" (Denmark) — "Dangerous Road to China"; "Os Aventureiros do Fim do Mundo" (Portugal) — "The Adventurers of the End of the World"; Russia/USSR/Soviet Union/Russian Federation — "Air Road to China"; "Los aventureros del fin del mundo" (Peru, Mexico) — "The Adventurers of the End of the World"; Japan — "High Road"; Bulgaria — "The Road to China"; "Maceracılar" (Turkey) — "The Adventurers"; "Çin'de Kurtarma" (Colombia) — "Rescue in China"; "Avventurieri ai confini del mondo" (Italy) — "Adventurers at the Edge of the World"; "Út Kínába" (Hungary) — "Road to China"; "Na Rota do Oriente" (Brazil) — "On the Eastern Route"; Greece — "Adventure in Wild China"; "Höllenjagd bis ans Ende der Welt" (Germany) — "Hell Hunt to the End of the World"; and "Inaltul davul spre Çin" (Romania) — "The High Road to China."
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