FILM · 2009 · GERMANY
Inglourious Basterds
- Directed by
- Quentin Tarantino
- Runtime
- 153 min
- Studio
- Universal Pictures, The Weinstein Company, A Band Apart
366 archived facts 7 topics 2 sources Last reviewed Nov 2026
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
366 Interesting Facts About Inglourious Basterds
Interesting Facts (6)
- #001
Colonel Hans Landa (Christoph Waltz) speaks the most languages in the movie: Four (English, French, German, and Italian).
- #002
When asked about the misspelled title, writer and director Quentin Tarantino gave the following answer: "Here's the thing. I'm never going to explain that. You do an artistic flourish like that, and to explain it would just take the piss out of it, and invalidate the whole stroke in the first place."
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(at around 1h 1 min) When Francesca (Julie Dreyfus) mentions former UFA actress Lilian Harvey, Joseph Goebbels (Sylvester Groth) throws a tantrum and screams never to mention that name in his presence. Lilian Harvey had to flee Nazi Germany in 1939 after helping Jewish choreographer Jens Keith escape to Switzerland.
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Production Story (144)
- #007
Word went around that Harvey Weinstein, after feedback from the Cannes Film Festival, was pushing Quentin Tarantino to cut forty minutes from the movie (then two hours and twenty-eight minutes long). Harvey denied it, explaining that Tarantino was simply reshuffling some scenes because he hadn't had time to finish editing before Cannes; he had been given only six weeks to edit, when other directors usually get six months to a year. In fact, the theatrical cut is five minutes longer than the version that premiered at Cannes.
- #008
Enzo G. Castellari, director of The Inglorious Bastards (1978), let Quentin Tarantino use the title "Inglourious Basterds" in return for a cameo as a General yelling "Fire!" (Castellari appears in his own film too). Tarantino did shoot Castellari as a General in the theater, pointing at the burning screen, but the scene didn't make the theatrical cut.
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Quentin Tarantino rang Rod Taylor himself to offer him Sir Winston Churchill. When Taylor heard the film would be shot in Germany, he pointed out that Albert Finney lived in England and had played Churchill to great acclaim in The Gathering Storm (2002). Tarantino answered, "If Rod Taylor turns me down, I'll call Albert Finney." Taylor took the part.
- #013
In a round table with Brad Pitt, Quentin Tarantino recalled that Til Schweiger had always refused to wear a Nazi uniform on film, largely because he was born and raised in Germany and genuinely hated anything to do with the Nazis. Once Schweiger heard that he would brutally kill a Nazi in every scene he wore the uniform, he gladly agreed to play Hugo Stiglitz.
- #014
Cloris Leachman originally appeared as Mrs. Himmelstein, an elderly Jewish woman living in Boston. Her scenes, in which she drinks tea with Donny Donowitz and then signs his trademark baseball bat, were filmed but cut from the final film; Quentin Tarantino says he may use the footage in the prequel instead.
- #015
Ironically, since Diane Kruger was best known for English-language films, Quentin Tarantino took her for an American and doubted she could handle the German dialogue and accent. At her audition she soon showed him she was a native German speaker.
Inglourious Basterds (2009): Bridget Von HammersmarkImage: Wikimedia Commons · Photo by Sgt. Michael Connors, Public domain - #016
- #017
The only movie Brad Pitt made as a lead for The Weinstein Company or its earlier incarnation, Miramax. He has said it was all about working with Quentin Tarantino and had nothing to do with Harvey Weinstein. His hostility toward Weinstein dates back to the 90s, when Pitt physically threatened the producer after finding out Weinstein had sexually harassed his then-girlfriend Gwyneth Paltrow.
- #018
The German-language version drops much of the script's multilingual play, except where the scene absolutely needs it. In the opening scene, for example, Landa and Perrier LaPadite start out in French and switch to German instead of English. All of Michael Fassbender's dialogue had to be re-recorded, though, including lines originally filmed in German, because Lt. Hicox first appears speaking German dubbed by another actor.
- #019
Universal Pictures brought the film's German publicity website into line with German penal law, which restricts the display of Nazi iconography. The swastika was taken out of the title, and the steel helmet got a bullet hole where the Nazi symbol had been. The download section dropped any wallpapers openly showing the swastika. While posters and wallpapers may not show Nazi iconography, German law exempts "works of art," so the film itself is not censored in Germany.
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- #022
Quentin Tarantino saw Mélanie Laurent three times. At the first meeting he played all the characters himself; at the second they read the lines together; the third was a face-to-face dinner. Over dinner he told her, "Do you know something? There's just something I don't like. It's that you're famous in your country, and I'm really wanting to discover somebody." Laurent answered, "No, no, no.... I'm not so famous", and four days later he called to give her the part of Shosanna.
- #023
The film is fiction, but it took some inspiration from "Operation Greenup," a real mission by the Office of Strategic Services. In February 1945, three O.S.S. agents were parachuted into Austria: Fred Mayer, a German-born American spy; Hans Wijnberg, a Dutch-born agent who, like Mayer, was Jewish; and Franz Weber, a former Austrian Wehrmacht officer. For several months Mayer gathered intelligence on the Germans' "Alpine Fortress," posing as a Nazi officer and as a French electrician, while Wijnberg and Weber, staying with Weber's family in Innsbruck, radioed it to O.S.S. operatives in Bari, Italy. When a black marketer blew Mayer's cover, the Gestapo captured and tortured him, but he wouldn't give up the other two. General Franz Hofer, commander of the Nazi forces in western Austria, knew the war was lost and wanted to surrender to the Allies rather than to the Red Army. He had Mayer brought to his house and offered to get a message from him to the O.S.S. offices in Bern, Switzerland, through a German agent. Mayer helped negotiate the surrender of Germany's forces in Austria, which took place in Innsbruck on May 3, 1945, and afterwards he and Wijnberg went back to America. In 2012, they were reunited by webcam for the History Channel documentary The Real Inglorious Bastards (2012). Wijnberg died the day after that interview; Weber died in April 2016.
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Quentin Tarantino was considering abandoning the film while the casting searched for someone to play Colonel Hans Landa, fearing he'd written a role that was unplayable. After Christoph Waltz auditioned, however, both Tarantino and producer Lawrence Bender agreed they had found the perfect actor for the role.
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- #027
Contains a major spoiler — show
Samm Levine's part was much bigger in the original script, with Private First Class Hirschberg one of the main Basterds. In the film he gets a single line and vanishes before the closing scenes, his fate left open. Levine has said in interviews that Hirschberg made it to the end of the story: closing scenes that were written but never shot had him and some other Basterds meeting up with Lieutenant Raine and Private First Class Utivich after they dealt with Colonel Landa.
- #028
Contains a major spoiler — show
In earlier drafts, Shosanna was a far more active member of the French Resistance, picking off soldiers from rooftops and even keeping a death list of senior Nazi officials to cross off one by one. But Quentin Tarantino had used those ideas in his Kill Bill movies, so he felt they were redundant here and made Shosanna a more realistic character who keeps her head down.
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It is the only film in which Brad Pitt starred for The Weinstein Company or Miramax. Pitt has said this came entirely from his desire to work with Tarantino and had nothing to do with Harvey Weinstein. His enmity toward Weinstein stems from his physically threatening the producer in the 1990s when he learned of his sexual harassment of Pitt's then-girlfriend Gwyneth Paltrow.
- #032
In a roundtable interview, Tarantino said that Til Schweiger had previously refused to wear a Nazi uniform for a film role, owing to having been born and raised in Germany and to his genuine anti-Nazi hatred. When Schweiger was told that in every scene he would brutally kill a Nazi, he gladly accepted the role of Hugo Stiglitz.
- #033
At the end of every take, the actors would turn to the camera and say "Hello Sally"; this was a greeting to the film's editor, Sally Menke. The practice had been in place since Tarantino's earlier films (Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof). Inglourious Basterds was the last film Menke edited for Tarantino; her work was honored with her final Oscar nomination for Best Editing in 2010, and she died the same year.
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After the film's release, Daniel Brühl admitted that his French was not perfectly fluent during the audition. When Tarantino asked him to speak French, he bluffed, sometimes mixing French with Spanish, and he guessed correctly that Tarantino would not notice. Once Brühl received a translated version of the script, he was able to perfect his French pronunciation.
- #036
Michael Fassbender's performance as Lieutenant Archie Hicox is full of layers of irony. Fassbender was born in Heidelberg, Germany, to German and Irish parents and was raised in Ireland. He now lives in London; his native language is German, his second is Irish, his third is English, and he is a master of English accents and dialects. In this film he plays an Englishman posing as a German who speaks German fluently but struggles to hide his accent.
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Eli Roth and Omar Doom nearly caught fire for real while shooting the theater fire scene. In tests the flame temperature had reached 750°F (400°C), but during the shoot the set got out of control; the ceiling temperature hit 2000°F (1093°C). Tarantino was operating the camera on a crane in a fireproof suit, and no one wanted to back down. Fire marshals said that if filming had continued for another fifteen seconds, the steel structure would have collapsed. Roth and Doom escaped with minor burns.
- #042
- #043
Eli Roth directed the film-within-the-film, "Nation's Pride." Roth, whom Tarantino asked to direct this short, stipulated that his brother Gabriel also work as second camera. The brothers, who set up a hundred and thirty camera setups in two days, pleased Tarantino so much that he gave Roth the planned third day as well. The short film, five and a half minutes in total, was designed to feel not like a coherent whole but like fragments of a longer film.
- #044
In the scene where Bridget von Hammersmark is strangled to death, Diane Kruger nearly drowned for real. Tarantino was bothered by the artificiality of strangulation scenes in other films and convinced Kruger to actually be strangled. Fearing that Christoph Waltz could not do it properly, Tarantino shot the scene himself. He told Kruger, "I'm going to strangle you, I'm going to cut off your air, just for a short while," and strangled her to the point of fainting. Fortunately, the take was completed in one go.
- #045
Asked how he got into the savage mindset of the "Bear Jew," Eli Roth attributed his performance partly to historically accurate costumes: "Wearing wool underwear makes you want to kill everything." He also noted that he had secretly added Hannah Montana music to his girlfriend's iPod, and that listening to it inexplicably allowed him to access the character's savage nature.
- #046
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- #050
In the first drafts of the script, Shosanna was a more active member of the French resistance, shooting soldiers from rooftops and keeping a death list. But when Tarantino used those details in the Kill Bill films, he decided to make Shosanna a more realistic and humble character to avoid repeating himself.
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Enzo G. Castellari, director of The Inglorious Bastards (1978), made a cameo as a General shouting 'Fire!' in exchange for allowing the use of the title 'Inglourious Basterds'. Tarantino shot Castellari as a General pointing at the burning screen, but the scene did not make the theatrical cut.
- #063
- #064
Quentin Tarantino personally called Rod Taylor to offer him the role of Sir Winston Churchill. When Taylor learned the film would be shot in Germany, he said that Albert Finney lived in England and had won great acclaim for playing Churchill in The Gathering Storm (2002). Tarantino's answer was clear: 'If Rod Taylor turns me down, I'll call Albert Finney.' Taylor accepted the role.
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Quentin Tarantino met with Mélanie Laurent in three stages: in the first he performed all the characters, in the second they shared lines, and in the third they had a face-to-face meal. At the meal he told Laurent, 'You know, there's something I don't like. You're famous in your country and I really want to discover someone.' Laurent replied, 'No, no... I'm not that famous,' and four days later Tarantino called to confirm her as Shosanna.
- #071
None of the weapons the Basterds use are American-made; this fits their being a secret assassination squad in occupied enemy territory. B.J. Novak said they trained with German weapons at a company in Berlin. According to the story, the Basterds took the weapons of every Nazi they killed and could use them flawlessly.
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Bridget von Hammersmark, the German film star and double agent, is partly based on Marlene Dietrich. Although Dietrich never served as an overseas agent, she worked with the Office of Strategic Services (OSS) during World War II. In 1944, she made propaganda broadcasts for the OSS's Morale Operations Branch under the Musak project, intended to demoralize enemy soldiers. She recorded songs, including the German "Lili Marlene," and recordings announcing Allied victories and German defeats. For her efforts, she received a commendation and the Medal of Freedom from OSS commander William J. Donovan. During the war, Dietrich's sister and her husband stayed in Germany and ran a cinema in Belsen that was a haunt of German officers. Dietrich and her sister reunited after the war.
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- #082
The shooting script included a scene in which Raine and his men frighten the veterinarian Bridget Von Hammersmark into treating her bullet wound by shooting two dogs in cages. It was filmed but cut from the final edit; even so, in the scene where Hammersmark is at the table, perforated wire fencing, bloodstains and dead dogs are visible behind her.
- #083
- #084
At the film's premiere, Joseph Goebbels introduces Frederick Zoller to Emil Jannings and calls him "the world's greatest actor." Jannings was a silent film star; in 1928 he became the first person to win the Academy Award for Best Actor. When his Hollywood career ended with the arrival of sound films, he returned to Germany and appeared in Nazi propaganda films. Goebbels declared him a "State Artist."
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Near the end of Chapter 2, as Wicki is interpreting, a gold leaf falls onto his chest near his left shoulder; it resembles the yellow Star of David the Nazis forced Jews to wear. As Raine says, "We like wearing Nazi uniforms; that way we can spot them right away," the leaf stays in place.
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While hiding under the floor of the LaPadite house, Shosanna cannot understand the English conversation between the French farmer and SS Colonel Landa. Yet later she films her speech to the German political elite about to be burned in fluent English; most of the German audience, Hitler included, does not understand what she is saying.
- #097
- #098
As in all his films, deliberately obvious mistakes have been included. For example, English subtitles for characters speaking a foreign language sometimes include foreign words. When Colonel Landa (Christoph Waltz) speaks with the French farmer, he says 'Oui'; the subtitle reads 'Oui' rather than 'Yes', whereas all other French dialogue is translated into English.
- #099
In the original script, Samm Levine's role was much larger; Private Hirschberg was one of the main members of the Basterds. In the film, however, Hirschberg speaks only one line and disappears before the closing scenes, his fate left unclear. In interviews, Levine confirmed that Hirschberg survived to the end of the story and that, in closing scenes that were written but never shot, he and the other Basterds met up with Lieutenant Raine and Private Utivich after dealing with Colonel Landa.
- #100
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A very subtle but accurate historical detail in the script that most people miss emerges when German Army (Heer) or Nazi Party Schutzstaffel (SS) characters refer to or speak with SS personnel. The SS was not part of the Heer or the Wehrmacht and used different rank titles, though its members generally wore Wehrmacht rank insignia on their uniforms. Hicox, Wicki and Stiglitz (when they meet in the basement tavern), along with Landa and Hellstrom, wear SS uniforms. The Heer and SS characters use real SS rank titles such as Standartenführer, Sturmbannführer, Hauptsturmführer and Obersturmführer. However, the French, German civilian (von Hammersmark) and American and British characters (when not pretending to be German) address SS characters by their Heer rank equivalents: Colonel/Oberst, Major, Captain/Hauptmann, Senior Lieutenant/Oberleutnant. Whichever title is spoken, the subtitles always use the Heer ranks in English.
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Shoshanna includes the names of directors, including German directors, on her cinema's poster, because although she does not approve of the occupation, she respects art. At the 'Nations Pride' premiere, however, the poster has only the film's name and its star; the director's name is absent, showing her disrespect.
- #121
In the basement bar scene, one of the privates refers to Karl May and says his character is Winnetou. Winnetou, the Native American hero of Karl May's western books, was among Hitler's favorite authors. However, the three-finger heart salute is an anachronism; this gesture was the signature of the 1960s Winnetou films.
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The standoff in the LaLouisiane scene between Aldo and Sergeant Wilhelm resembles a scene in Kill Bill: Vol. 2: the Bride learns she is pregnant and comes face to face with a female assassin; because of her pregnancy she offers to let the assassin go. Sergeant Wilhelm, too, offers to let Aldo go because he became a father that night. The difference is that while the Bride stays true to the agreement, Aldo stays true to the agreement while Bridget von Hammersmark shoots Sergeant Wilhelm. Both characters begin the negotiations by saying 'Then let's talk'.
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Francesca Mondino's (Goebbels's French interpreter and mistress) striking leopard-print fascinator is a direct homage to a design by the famous Italian fashion designer of the era, Elsa Schiaparelli. When the Nazi occupation began, Schiaparelli fled Paris for New York and stayed there until the end of the war.
- #135
Reinforcing Bridget von Hammersmark's (Diane Kruger) question, "Can you Americans speak any language other than English?", among the American (and Canadian) actors only Brad Pitt, Eli Roth and Omar Doom know a foreign language; and they speak Italian with the terrible accent von Hammersmark describes.
- #136
Although many films written by Tarantino contain a Mexican standoff scene (Reservoir Dogs, Pulp Fiction, True Romance, Natural Born Killers, Kill Bill), this film has the first Mexican standoff scene in which the characters explicitly discuss the situation they are in. (Note: While escaping the cell with Mallory, Mickey Knox says, "This is a Mexican standoff.")
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According to a deleted scene, before the Bear Jew went off to war, while he bought and decorated his signed bat in Boston, Donny Donowitz (Eli Roth) had the Jews in his neighborhood sign the bat and wrote down the names and signatures of prominent Jews. One of the names carved into the bat is Anne Frank, the young Jewish girl who wrote her life story while in hiding between 1942 and 1944 and died of typhus at the Bergen-Belsen concentration camp in Germany in 1945.
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The music that plays when the character Hugo Stiglitz is introduced is the theme from the 1972 blaxploitation film Slaughter. That film starred retired NFL player Jim Brown; Brown also played the character Jefferson in the 1967 film The Dirty Dozen. Interestingly, another retired football player, Fred Williamson, appeared in the original Inglorious Bastards (1978); Williamson played cornerback in the AFL and portrayed Private Fred Canfield in the original film. Williamson also appeared in many blaxploitation films, including several collaborations with Jim Brown. Both Jim Brown and Fred Williamson later appeared in Original Gangstas (1996) alongside Pam Grier, the star of Jackie Brown (1997).
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Operation Kino's plan was to kill Hitler and the senior leaders who could take over the administration after his death. Although Hitler, Joseph Goebbels, Martin Bormann and Hermann Göring are shown in the cinema in the film, other senior Nazi leaders who could replace Hitler, such as Heinrich Himmler and Albert Speer, were conspicuously absent. The survival of at least these two could have undermined the intended objective of the British military operation.
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A small nod: Captain Aldo, played by Brad Pitt, complains before meeting Bridget von Hammersmark in a tavern's basement that "there are many difficulties to fighting in a basement." Yet ten years earlier, Pitt had starred in Fight Club, where most of the fights take place in a bar's basement.
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In the scene between Archie Hicox (Michael Fassbender) and General Ed French (Mike Myers), General French describes all the high-ranking Nazis attending the Nation's Pride premiere as "putting all the rotten eggs in one basket." This is a line of dialogue from the 1963 film The Great Escape; in the film, Luftwaffe Colonel Von Luger (Hans Messemer) explains to Squadron Leader Bartlett (Richard Attenborough) that escaping from the prisoner-of-war camp is impossible.
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The future right-wing populist politician and climate change denier Karsten Hilse (Alternative for Germany party) can be seen in the film playing an Allied soldier in the film-within-the-film German Pride. In 2009, Hilse uploaded several behind-the-scenes photos to his Facebook account, in costume and interacting with Daniel Brühl.
Behind the Scenes (60)
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Asked how he got into the violent, bat-swinging head of "The Bear Jew", Eli Roth gave some credit to the historically accurate costumes: "Being in wool underwear will make you want to kill anything." In another interview he said his girlfriend had secretly put some Hannah Montana (2006) music on his iPod, and listening to it somehow put him in touch with The Bear Jew's violent side.
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(at around 1h 4 mins) At around 1 hour and 4 minutes, Archie Hicox (Michael Fassbender) wears a Commando Green Beret, the Combined Operations badge on his left arm, 'No.4 COMMANDO' flashes on his shoulders and an Intelligence Corps cap badge on his beret. So he was an Intelligence Corps officer who had passed the Commando Course at Achnacarry and was then serving with No.4 Commando ("commando" meaning both a commando-trained individual and a battalion-sized unit of commando troops). His medals are the Military Cross, awarded for bravery in the face of the enemy, and the Africa Star, which means he served in Africa from 1942 to 1943 and earned the Military Cross there.
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(at around 2h 25 mins) Filming the theater fire, Eli Roth and Omar Doom came close to being burned alive. In tests the flames had reached seven hundred fifty degrees Fahrenheit (four hundred degrees Celsius); during the actual take the set burned out of control and the ceiling above them hit two thousand degrees Fahrenheit (1,093 degrees Celsius). Quentin Tarantino sat on a crane in a fireproof suit operating the camera, and nobody wanted to pull back and spoil the shot. Fire Marshals said fifteen more seconds of filming and the steel structure would have come down, incinerating the actors. Roth and Doom were treated for minor burns.
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Diane Kruger said she and the other German actors in the bar scene had to learn their lines in both English and German, because Quentin Tarantino directed the scene in English; even when they spoke German on set, they had to match the pace at which the English version would appear in the subtitles.
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"Hello Sally" was how actors ended every take, facing the camera to greet editor Sally Menke, a ritual carried over from Quentin Tarantino's earlier films such as Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004) and Death Proof (2007). This was the last Tarantino film Menke edited; it earned her a final Academy Award nomination for Best Editing in 2010, before her death later that year.
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(at around 28 mins) At around 28 minutes, he is the voice of the Narrator who tells Hugo Stiglitz's backstory and how he became famous for killing Gestapo officers; he narrates again when explaining how highly flammable nitrate film is, why it was so dangerous and how it could be turned into a weapon (at around 1 hour 2 minutes).
- #171
None of the Basterds' weapons are American, as befits a clandestine squad of military assassins in occupied enemy territory. B.J. Novak has described how he and the rest of the cast were trained to handle German weapons by a Berlin company specializing in the technical presentation of German military hardware. The idea was that the Basterds took guns and other equipment from every Nazi they killed and could handle them perfectly.
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Contains a major spoiler — show
Quentin Tarantino put all the actors playing Basterds through a day of "scalping training" before filming and promised that the three best practice scalpers would get close-ups doing it in the film. One of those moments is in the last scene, when Private First Class Utivich scalps Landa's driver after Aldo shoots him.
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Contains a major spoiler — show
(at around 2h 25 mins) At around 2 hours and 25 minutes: shooting the cinema fire, Eli Roth and Omar Doom nearly went up in flames. Test flames hit 750 degrees Fahrenheit (400 degrees Celsius), and on the actual take the blaze got away from the crew, with the ceiling above the actors reaching 2,000 degrees Fahrenheit (1,093 degrees Celsius). Quentin Tarantino, in a fireproof suit, was up on a crane operating the camera, and no one was willing to stop and lose the shot. According to the fire marshals, fifteen seconds more and the steel structure would have collapsed on the actors. Roth and Doom got away with minor burns.
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Diane Kruger said that she and the other German actors in the bar scene had to learn their lines in both English and German, because Tarantino was directing the scene in English, and even when speaking German on set, the actors had to speak at a tempo suited to how the English version would be presented in the subtitles.
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Universal Pictures adapted the film's German promotional site to the German criminal code; the display of Nazi iconography is restricted in Germany. The swastika in the title was removed and a bullet hole was added in place of the Nazi symbol on the steel helmet. Wallpapers containing swastikas were removed from the download section. However, under German law this restriction does not apply to "works of art," so the film itself is uncensored in Germany.
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As in all of Tarantino's films, there are deliberate, obvious errors here. For example, the English subtitles for characters speaking a foreign language sometimes use foreign words. Colonel Landa (Christoph Waltz) says 'Oui' when speaking with the French farmer; the subtitle reads 'Oui' rather than 'Yes', even though the other French dialogue is translated into English.
- #186
The German version of the film skips many of its multilingual aspects, preserving them only when a scene requires it. In the opening scene, Landa and Perrier La Padite begin their conversation in French and switch to German, not English. However, all of Michael Fassbender's dialogue had to be re-recorded, because Lieutenant Hicox was dubbed by a different actor when speaking German.
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The French village of Nadine in the film does not actually exist. However, its location on the map shown to Lieutenant Hicox corresponds largely to the real town of Nanteuil-le-Haudouin. The word 'Haudouin' is still visible on the map, suggesting that the first part of the town's name was removed and replaced with 'Nadine'.
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It is the only film in which Brad Pitt starred for The Weinstein Company or its earlier incarnation, Miramax. Pitt says his involvement in the film stemmed entirely from his desire to work with Quentin Tarantino and had nothing to do with Harvey Weinstein. His enmity toward Weinstein began in the 1990s, when he learned that his then-girlfriend Gwyneth Paltrow had been sexually harassed by Weinstein and physically threatened the producer.
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In the script's early drafts, Shosanna was a much more active member of the French Resistance: she shot soldiers from rooftops with a sniper rifle and kept a death list of high-ranking Nazi officials she had crossed off. But while making the Kill Bill films, Tarantino folded those plot details into that story and decided they were unnecessary; instead he made Shosanna a more realistic character and had her keep a low profile.
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Enzo G. Castellari, director of The Inglorious Bastards (1978), allowed him to use the title 'Inglourious Basterds' and in return made a cameo as a General who shouts 'Fire!' (Castellari also appears in his own film). Tarantino shot Castellari as a General pointing at a burning curtain in the theater, but the scene did not make it into the theatrical version.
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Cloris Leachman initially appeared in the film as Mrs. Himmelstein, an elderly Jewish woman living in Boston. Although it was shot, the scenes in which Mrs. Himmelstein has tea with Donny Donowitz (and then signs his signed baseball bat) were cut from the final film. Tarantino says he may use the footage in a prequel.
- #205
In the original script, Samm Levine's role was much larger; Private Hirschberg was one of the Basterds' main members. In the film, however, Hirschberg speaks only one line and disappears before the closing scenes, his fate left unclear. In interviews, Samm Levine confirmed that Hirschberg survived to the end of the story and that, in closing scenes that were written but never shot, he and the other unspecified Basterds met up with Lieutenant Raine and Private Utivich after dealing with Colonel Landa.
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Rumor had it that Harvey Weinstein was forcing Tarantino to cut forty minutes from the film (which ran two hours and twenty-eight minutes) after getting feedback from the Cannes Film Festival. But Harvey denied the rumor, stating that Tarantino rearranged some scenes because he didn't have enough time to finish the film completely before sending it to Cannes; he had been given only six weeks to edit, whereas other directors are normally given six months to a year. In fact, the theatrical version is five minutes longer than the version shown at Cannes.
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Characters & Cast (48)
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There is plenty of irony in Michael Fassbender playing Lieutenant Archie Hicox. Born in Heidelberg, Germany (then West Germany), to German and Irish parents and raised in Ireland, he now lives in London, speaks German as his first language, Irish Gaelic as his second and English as his third, and has a command of English accents and dialects. Here he plays an Englishman undercover as a German, who speaks German fluently but can't fully hide his accent.
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Bridget von Hammersmark, the German film star and double agent, was partly based on Marlene Dietrich. Dietrich never worked as an agent abroad, but she did work with the Office of Strategic Services in World War II. In 1944 she made recordings for the O.S.S.'s Morale Operations Branch as part of the Musak project, a series of musical propaganda broadcasts meant to demoralize enemy soldiers. She recorded several songs in German, "Lili Marlene" among them, plus German-language reports of Allied victories and German defeats. For this she was thanked by O.S.S. commander William J. Donovan and received the American Medal of Freedom. Meanwhile her sister and brother-in-law were still in Germany, running a cinema in Belsen popular with German officers; the sisters were reunited after the war.
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Brad Pitt never starred in any other film for The Weinstein Company or its predecessor, Miramax. He has said this one was about working with Quentin Tarantino and had nothing to do with Harvey Weinstein, whom he had disliked since the 90s, when he physically threatened the producer after learning Weinstein had sexually harassed Pitt's then-girlfriend Gwyneth Paltrow.
- #217
Mike Myers (General Ed Fenech), a Quentin Tarantino fan, had asked about being in the film, since his parents had both served in the British Armed Forces. For the character's dialect, Myers thought of a version of Received Pronunciation meeting the officer class, but mostly an attitude of "I'm fed up with this war and if this dude can end it, great, because my country is in ruins."
- #218
(at around 2h) When Bridget von Hammersmark was choked to death after being discovered as a spy, Diane Kruger was almost accidentally really choked. Quentin Tarantino was unimpressed with choking scenes in other movies, in that actors are rarely in any considerable danger while shooting them, and convinced Kruger to be strangled for real, in order to get the scene just right. Fearing that Christoph Waltz would choke her too much or too little, Tarantino decided to literally take matters into his own hands and did the scene himself. In an interview, Tarantino said, "What I said to her was, I'm gonna just strangle you, alright? Full on, I'm gonna cut off your air, for just a little bit of time. We're gonna see the reaction in your face and I'm gonna yell cut." Kruger decided this was reasonable, and let Tarantino sit on top of her and choke her to the point of unconsciousness. Fortunately for Kruger, the shot was accomplished in one take.
Inglourious Basterds (2009): Bridget Von Hammersmark, behind the scenesImage: Wikimedia Commons · Photo by Sgt. Michael Connors, Public domain - #219
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Sitting down with Brad Pitt for a roundtable, Quentin Tarantino explained that Til Schweiger had always turned down film roles that meant wearing a Nazi uniform, mainly because he was born and raised in Germany and truly hates anything to do with the Nazis. But when he heard he would brutally kill a Nazi in every scene in which he wore the uniform, he was happy to sign on as Hugo Stiglitz.
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While Quentin Tarantino was searching for an actor for the role of Colonel Hans Landa, he considered shelving the film, because he feared he had written a character that was impossible to play. But when Christoph Waltz came in to audition, both Tarantino and producer Lawrence Bender decided they had found the perfect actor for the role.
- #224
In a roundtable interview with Brad Pitt and Quentin Tarantino, Tarantino said that Til Schweiger had previously refused to wear a Nazi uniform for a film role, largely because he was born and raised in Germany and had a deep hatred of everything connected with Nazism. When Schweiger was told that in every scene where he wore the uniform he would brutally kill a Nazi, he gladly accepted the role of Hugo Stiglitz.
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After the film's release, Daniel Brühl admitted that his French was not perfect at the time he took the role. When Quentin Tarantino asked him to read French lines, he sometimes bluffed by mixing French with Spanish, correctly guessing that Tarantino would not notice. Brühl was able to perfect his French pronunciation once he received a translated version of the script.
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Michael Fassbender's performance as Lieutenant Archie Hicox is full of layers of irony. Fassbender was born in Heidelberg, Germany (then West Germany) to a German and Irish family and was raised in Ireland. He now lives in London; his native language is German, his second language is Irish Gaelic and his third is English, and he has mastered English accents and dialects. In this film, he plays an Englishman on a secret mission posing as a German who speaks German fluently but has trouble hiding his accent.
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When Eli Roth was asked how he got into the violent, baseball-bat-swinging "Bear Jew" mindset, he attributed his performance partly to the historically accurate costumes: "Wearing wool underwear makes you want to kill everything." He also said (in another interview) that he had secretly added Hannah Montana (2006) music to his girlfriend's iPod; when he listened to it, he was inexplicably able to access the Bear Jew's savage nature.
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Quentin Tarantino personally called Rod Taylor to offer him the role of Sir Winston Churchill. When Taylor learned the film would be shot in Germany, he pointed out that Albert Finney lived in England and had played Churchill to great acclaim in The Gathering Storm (2002). Tarantino replied, "If Rod Taylor turns me down, I'll call Albert Finney." Taylor accepted the role.
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When Major Hellstrom (August Diehl) questions Hicox's (Michael Fassbender) accent, he addresses Corporal Wilhelm Wicki (Gedeon Burkhard) as "Lieutenant Munich" and Sergeant Hugo Stiglitz (Til Schweiger) as "Lieutenant Frankfurt," based on their dialects. In real life, Burkhard (Wicki) and Schweiger (Stiglitz) are from the Munich and Frankfurt regions, respectively.
- #236
Quentin Tarantino met with Mélanie Laurent in three rounds: in the first he played all the characters, in the second he shared the lines with her, and in the third they ate a meal face to face. During the meal, Tarantino told Laurent, "You know what? There's something I don't like. You're famous in your own country, and I really want to discover someone." Laurent replied, "No, no, no... I'm not that famous," and four days later Tarantino called to confirm her for the role of Shosanna.
- #237
Quentin Tarantino stated that he believes Frederick Zoller (Daniel Brühl) genuinely loved Shosanna (Mélanie Laurent) and that their final encounter was tragic. He also explained that Zoller forcing his way into the projection booth and threatening Shosanna represents Zoller succumbing to his emotions at the worst possible moment.
- #238
Bridget von Hammersmark, a German film star and double agent, was partly inspired by Marlene Dietrich. Although Dietrich never worked as an agent abroad, she worked with the Office of Strategic Services (OSS) during World War II. In 1944, Dietrich made recordings for the OSS's Morale Operations Branch as part of the Musak project, a series of musical propaganda broadcasts designed to demoralize enemy soldiers. Dietrich recorded several songs in German, including 'Lili Marleen,' and made German-language recordings announcing Allied victories and German defeats. For her efforts, Dietrich received thanks and the Medal of Freedom from OSS commander William J. Donovan. Also during the war, Dietrich's sister and her husband were still in Germany, running a cinema in Belsen that German officers frequented. Dietrich and her sister were reunited after the war.
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Mike Myers (in the role of General Ed Fenech), as a Quentin Tarantino fan, wanted to appear in the film because his parents served in the British Armed Forces. Myers described his character's accent as Received Pronunciation meeting the officer class, but said it mostly reflects an attitude of "I'm sick of this war, and if this man can finish it, great, because my country is in ruins."
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Archie Hicox's uniform: a Commando Green Beret, the Combined Operations badge on his left arm, a "No.4 COMMANDO" patch on his shoulders and the Intelligence Corps badge on his beret. This indicates that he is an Intelligence Officer who passed the Commando Course at Achnacarry and served in No.4 COMMANDO. His medals are the Military Cross (gallantry in the face of the enemy) and the Africa Star; they indicate that he was in Africa between 1942-43 and won the Military Cross.
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Colonel Aldo Raine's demand for Nazi scalps is a nod to the character Brad Pitt played in Legends of the Fall, who really did scalp German soldiers.
Easter Eggs & References (60)
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(at around 1h 13 mins) In the basement bar scene, one of the enlisted men mentions Karl May and says his character is Winnetou. Karl May (1842-1912) wrote Western adventure books in which Winnetou is a Native American hero, and he was one of Adolf Hitler's favorite authors. The man's gesture, touching his heart and greeting with three fingers, is an anachronism, though: it was Winnetou's signature move in the films of the sixties.
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A deleted scene shows The Bear Jew buying and decorating his trademark bat in Boston before going off to war: Donny Donowitz (Eli Roth) had Jews from his neighborhood sign it before he shipped out, and wrote the names of prominent Jews next to their autographs. One of the names carved into the bat is Anne Frank, the young Jewish girl who recorded her life in hiding from 1942-44 and died of typhus in the Bergen-Belsen concentration camp in Germany in 1945.
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(at around 2h 25 mins) Right after the cinema explodes, someone can be seen and heard screaming as they are hurled violently out of the burning building. The scream belongs to Kurt Russell's 'Stuntman Mike' in Quentin Tarantino's Death Proof (2007), from the moment after the chase when Zoe and the other girls climb out of the car to beat the crashed Mike to death.
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(at around 1h 12 mins) A group of German soldiers are playing the game where you guess the famous name written on your forehead. The card on the soldier played by Ken Duken says Mata Hari, the Dutch exotic dancer and courtesan who became notorious as a double agent for Germany in World War I, mirroring Diane Kruger's character, a famous actress turned double agent for the Allies in World War II.
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(at around 1h 50 mins) At the premiere, Colonel Landa wears a gold medal at his throat, covering his tie: the Knight's Cross of the War Merit Cross, in gold with swords, given for non-combat contributions to the Third Reich's war effort. Only nine were ever awarded, and it wasn't instituted until October 1944, so Landa couldn't actually have had one. Then again, this is a fictional story set against the backdrop of World War II, so given Quentin Tarantino's way with storytelling, the point is moot.
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(at around 2h 20 mins) Hiding under the floor of the LaPadite house, Shosanna couldn't understand the conversation the French dairy farmer and S.S. Colonel Landa held in English. Yet she films her message to the German political elite, about to be burned alive, in fluent English, which many of the German audience in the theater, Adolf Hitler included, wouldn't have understood.
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(at around 1h 9 mins) An Easter egg: before meeting Bridget von Hammersmark in the basement of a tavern, Lieutenant Aldo (Brad Pitt) complains that "fighting in a basement offers a lot of difficulties". Ten years earlier, Pitt had starred in Fight Club (1999), where most of the fights take place in a bar basement.
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WILHELM SCREAM: At around 1 hour 30 minutes, when Mathilda is shot in the bar scene, you get just the first half-second of the clip. The Wilhelm scream proper turns up later in the film-within-the-film "Nation's Pride," as a soldier is shot and drops from an upper window, at around 2 hours 20 minutes.
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(at around 1h 35 mins) Several Quentin Tarantino scripts include a Mexican standoff (Reservoir Dogs (1992), Pulp Fiction (1994), True Romance (1993), Natural Born Killers (1994), Kill Bill: Vol. 2 (2004)), but this is the first in which the characters caught in one openly point out that they are in a Mexican standoff. (In Natural Born Killers, Mickey Knox says, "What we've got here is a Mexican Standoff," as he breaks out of the cell with Mallory.)
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(at around 15 mins) Colonel Hans Landa's speech to LaPadite comparing Jews to rats draws on a real German film, The Eternal Jew (1940), made in Poland during World War II by an SS propaganda team. It set out to degrade the image of Jews across Europe, showing rats and other animals spreading diseases that would infect the Aryan people unless the Jewish Question was "solved" by extermination.
- #276
(at around 1h 8 mins) Nadine, the French village in the film, doesn't exist. On the map Lieutenant Hicox is shown, though, its location matches the real town of Nanteuil-le-Haudouin, and "Haudouin" can still be made out, as if the first part of the name was swapped for "Nadine" and the rest was left behind by mistake.
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(at around 1h 1 min) Francesca (Julie Dreyfus) mentions the former UFA actress Lilian Harvey, and Joseph Goebbels (Sylvester Groth) explodes, screaming that the name must never be uttered in his presence. In real life, Harvey had to flee Nazi Germany in 1939 for helping the Jewish choreographer Jens Keith get away to Switzerland.
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The first two acts closely mirror the opening of Pulp Fiction (1994). There, Jules and Vincent visit the apartment of Bret and his roommates, one of whom is hiding in the bathroom; they kill everyone except Marvin, and the guy in the bathroom nearly gets away too, and the next scene has Marcellus interrogating Butch. Here, the Colonel visits the home of the family hiding Jews and, after some casual chat, has the Jewish family under the floorboards executed; everyone dies except Shosanna, who escapes, and the next scene has Brad Pitt grilling his troops.
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(at around 1h 7 mins) In the scene between Archie Hicox (Michael Fassbender) and General Ed Fenech (Mike Myers), Fenech likens getting all the top Nazis to the premiere of Nation's Pride to "putting all the rotten eggs in one basket". The line comes from The Great Escape (1963), where Luftwaffe Colonel Von Luger (Hannes Messemer) uses it to explain to Squadron Leader Bartlett (Richard Attenborough) why the prisoner-of-war camp is escape-proof.
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(at around 42 mins) The paperback Shosanna is reading in the café before Zoller arrives looks like a French edition of Leslie Charteris's "The Saint in New York" (first published in 1934). The novel stands out in the Saint series as unusually grim and violent: the suave crime-fighter turns cold and ruthless and executes a string of gangland killers to avenge a murder, not unlike the mission Lieutenant Raine lays out at the start of the film.
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(at around 38 mins) As Shosanna changes the marquee outside her cinema, the old film whose name is coming down is The White Hell of Pitz Palu (1929), the same one Lieutenant Hicox, disguised as a German officer, mentions in the basement tavern at around 1 hour and 20 minutes, claiming he and his brother were extras in it. It was directed by Leni Riefenstahl.
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(at around 48 mins) The eye-catching leopard-face fascinator worn by Francesca Mondino, Goebbels's French interpreter and mistress, is a direct homage to one by the Italian designer Schiaparelli, a celebrated name who was living in Paris at the time. When the Nazi occupation of France began, Elsa Schiaparelli fled Paris for New York City and stayed there until the war ended.
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(at around 1h 40 mins) Backing up Bridget von Hammersmark's (Diane Kruger's) sneer, "can you Americans speak any other language besides English?", none of the American (or Canadian) actors speaks a foreign language except Brad Pitt, Eli Roth and Omar Doom, whose Italian is, as she also notes, atrociously accented.
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(at around 1h 8 mins) Being briefed on Operation Kino by General Ed Fenech (Mike Myers), Archie Hicox (Michael Fassbender) says "And like the snows of yesteryear, gone from this earth." He is quoting a French poem known in English by the line "Where are the snows of yesteryear?", about lost youth and the finality of death. In Catch-22, another WW2 book and film, Capt. Yossarian asks "Where are the Snowdens of yesteryear?" after a crewman on his bomber named Snowden is killed by enemy fire, playing on the same quote.
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(at around 28 mins) The music introducing Hugo Stiglitz is the theme from the blaxploitation film Slaughter (1972), starring retired NFL fullback Jim Brown, who also played Jefferson in The Dirty Dozen (1967), one of the main inspirations for Quentin Tarantino's Inglourious Basterds. Fittingly, the original The Inglorious Bastards (1978) starred another retired football player, Fred Williamson, an AFL cornerback who played Private Fred Canfield; Williamson also made many blaxploitation films, several of them with Jim Brown. Brown and Williamson eventually starred together in Original Gangstas (1996) alongside Pam Grier, another 1970s blaxploitation star, who would soon headline Jackie Brown (1997).
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(at around 40 mins) Shosanna explains that she puts directors' names on her marquee out of respect, even German ones, much as she hates the occupation of France. At the premiere of the Nazi propaganda film "Nation's Pride," a split-second shot shows the marquee with only the title and the star (at around 2 hours and 25 minutes), no director, a quiet sign of her contempt.
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(at around 36 mins) Near the end of Chapter 2, Wicki is interpreting between Raine and the German prisoner, Butz, when a golden leaf lands on his chest near his left shoulder, looking much like the yellow six-pointed Star of David the Nazis forced Jews to wear on the left side of their chests so they could be picked out. The leaf stays put while Raine says, "See, we like our Nazis in uniforms; that way you can spot 'em, just like that."
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As in all his films, there are glaring errors put in on purpose. One is in the English subtitles for foreign-language dialogue, where the foreign word sometimes stays in. When Colonel Landa (Christoph Waltz) talks to the French farmer, for instance, he says "Oui," French for "Yes," and the subtitle reads "Oui" rather than "Yes," even though the rest of the French is translated into English.
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Sergeant Donny Donowitz belongs to the "Quentin Tarantino Universe": he shares a surname with Lee Donowitz, the film producer in the Tarantino-written True Romance (1993), who made a war film called "Comin' Home in a Body Bag". Tarantino told Ron Bennington in an interview that Donny is Lee's father.
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(at around 22 mins) In his recruiting speech early in the film, Lieutenant Aldo Raine says he is descended from "the mountain man Jim Bridger," who really did have Native American wives, hence the nickname "Aldo the Apache." In fact none of Bridger's three Indian wives was Apache; they were, in order, Flathead, Ute and Shoshone.
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(at around 1h 20 mins) Questioning Hicox's (Michael Fassbender's) accent, Major Hellstrom (August Diehl) calls Corporal Wilhelm Wicki (Gedeon Burkhard) "Lieutenant Munich" and Sergeant Hugo Stiglitz (Til Schweiger) "Lieutenant Frankfurt" from their dialects, and in real life Burkhard does come from Munich and Schweiger from the Frankfurt area.
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(at around 2h 10 mins) In the German propaganda film-within-a-film, "Nation's Pride", directed by Eli Roth, Tarantino voiced an American soldier, who says, "I implore you, we must destroy that tower!" A Tarantino dummy also appeared as the first scalped German in the film (at around 26 mins).
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Contains a major spoiler — show
(at around 2h 25 mins) At the end, Lieutenant Raine shoots Landa's driver, Hermann, in the stomach, judging by the angle of his pistol, and when Hermann falls he orders Utivich to scalp him. Since a gut shot can take several minutes or even a few hours to kill someone, as past Quentin Tarantino movies show, Hermann may well have been alive while he was being scalped.
- #317
Contains a major spoiler — show
(at around 1h 55 mins) Colonel Hans Landa (Christoph Waltz) slipping the high-heeled shoe onto Bridget von Hammersmark's (Diane Kruger) foot is a twisted take on 'Cinderella'. In the fairy tale, the Prince finds Cinderella by having her try on the glass slipper she lost at the ball; here, Landa unmasks von Hammersmark as the double agent by having her try on the heel she lost in the bar fight.
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Contains a major spoiler — show
(at around 1h 35 mins) The shooting script has Raine and his men frighten the veterinarian into treating Bridget Von Hammersmark's bullet wound by shooting two of the dogs in their cages. The scene was apparently filmed and cut, because behind Hammersmark on the table you can make out two cages with holes in the wire mesh, bloodstains and dead dogs inside.
Deeper Meaning (47)
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(at around 55 mins) What Landa orders for Shosanna is loaded, another way of testing her and toying with her mind. The glass of milk harks back to LaPadite's farm, where Landa drank milk and her family was killed; the strudel, in World War II, would most likely have been made with pork lard, which isn't kosher and so is forbidden under Jewish dietary law.
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The film is fictional but was partly inspired by a real OSS operation, 'Operation Greenup.' In February 1945, three agents parachuted into Austria: German-born American spy Frederick Mayer, Dutch Jewish agent Hans Wijnberg and former Austrian Wehrmacht officer Franz Weber. For months, Mayer posed as a Nazi officer and an electrician while gathering intelligence about the 'Alpine Fortress.' Staying with Weber's family, Wijnberg and Weber radioed information to OSS operators in Italy. When a black marketeer betrayed Mayer, the Gestapo captured and tortured him, but he did not betray the others. General Franz Hofer, commander of Nazi forces in western Austria, had realized the war was lost and wanted to surrender to the Allies rather than to the Red Army. He had Mayer brought to his home and offered to send a message to OSS offices in Switzerland through a German agent. Mayer helped bring about the surrender of Germany's Austrian forces in Innsbruck on May 3, 1945. Mayer and Wijnberg then returned to America. In 2012 they reunited for a webcam interview for the History Channel documentary 'The Real Inglourious Basterds'; Wijnberg died a day after the interview. Weber died in April 2016.
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The book Shoshanna reads in the cafe is the French edition of Leslie Charteris's novel 'The Saint in New York.' The novel is one of the bleakest and most violent entries in the Saint series; the gentleman crime fighter is cold and ruthless as he executes gangsters to avenge a murder, much like Raine's mission.
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A group of German soldiers play a game in which one of them guesses which famous name is written on his forehead. The note of the soldier played by Ken Duken reads Mata Hari; Mata Hari was a Dutch dancer and prostitute who served as a double agent for Germany in World War I. This mirrors the role of the actress played by Diane Kruger, a double agent working for the Allies in World War II.
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At the end of Chapter Two, Wicki translates between Raine and the German prisoner Butz. During the translation, a golden leaf falls onto his chest near his left shoulder; it resembles the yellow Star of David that the Nazis forced Jews to wear on the left breast. As Raine says, "Look, we like our Nazis in uniform; that way you can spot them right away," the leaf stays in place.
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While hiding under the floor of the LaPadite house, Shoshanna could not understand the English conversation between the French dairy farmer and SS Colonel Landa. Yet later she films her speech to the German political elite who are to be burned, in fluent English. Most of the German audience, Hitler included, would not have understood what she was saying.
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A subtle but accurate historical detail in the script: the rank distinction between German Army (Heer) and SS characters. The SS was not part of the Wehrmacht and used different rank titles. Hicox, Wicki, Stiglitz, Landa and Hellstrom wear SS uniforms but are addressed with Heer ranks. The subtitles always use Heer ranks.
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On the poster for her cinema, Shosanna includes the names of directors, including German directors; although she does not approve of the occupation of France, she respects art. At the premiere of 'Nation's Pride,' however, the poster bears only the film's title and its star, with no director's name — a sign of her disrespect.
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The tense waiting in the LaLouisiane scene between Aldo and Sergeant Wilhelm recalls the scene between the Bride and the assassin in Kill Bill: Vol. 2. In both scenes the characters negotiate by saying 'Then let's talk.' The difference is that the Bride honors the deal, whereas Bridget shoots the Sergeant despite Aldo's agreement.
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At the gala night, Landa wears a gold medal over his tie at his neck: the Knight's Cross of the Gold War Merit Cross with Swords. This award was established in October 1944 and was given only nine times, so Landa wearing it is an anachronism. However, since the film is fictional, this is debatable.
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In the scene between Archie Hicox (Michael Fassbender) and General Ed French (Mike Myers), General French describes all the high-ranking Nazis attending the premiere of Nation's Pride as 'putting all the rotten eggs in one basket.' This is a line from the 1963 film The Great Escape, in which Luftwaffe Colonel Von Luger (Hans Messemer) explains to Squadron Leader Bartlett (Richard Attenborough) that escaping from the prisoner-of-war camp is impossible.
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Career & Awards (1)
Related pages
- Bird on a Wire — Inglourious Basterds comes up in the facts on that page
- Deadpool & Wolverine — Inglourious Basterds comes up in the facts on that page
- Iron Sky — Inglourious Basterds comes up in the facts on that page
Sources & editorial notes
Reference databases
- Wikipedia
- IMDb
Sources for the entries on this page
- Wikipedia Inglourious Basterds — Wikipedia
Information from external sources is independently selected, consolidated and edited by Arka Evren. Sources are listed for verification and further reading. Encyclopedia text is used under its licence (CC BY-SA). How we work