ACTOR
James Marsters
38 archived facts 4 topics 1 source Last reviewed Oct 2026
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James Marsters was widely known for his bleached platinum-blond hair. He had to bleach his hair regularly to play Spike on Buffy the Vampire Slayer (1997). In a famous Entertainment Weekly interview, he admitted that he added four to seven packets of Sweet'n Low to the bleach solution to ease the pain. When the series ended, Marsters had his bleached hair shaved off on television (to sell for charity) and returned to his natural brown hair.
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James Marsters's appearance at the 2002 Shore Leave science-fiction convention was so popular that many fans had to watch his Q&A sessions on monitors set up outside the conference hall. Despite the nearly Beatlemania-like crowding at the event, he stayed more than 2 hours past his scheduled departure to make sure every fan waiting in line got an autograph.
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As of 2016, James Marsters had narrated 15 audiobooks of Jim Butcher's 'The Dresden Files' as well as the short stories in the 'Side Jobs' anthology. He is so similar to the character Harry Dresden that when a scheduling conflict prevented him from reading book 13, 'Ghost Story', and the book was read by John Glover instead, the fan reaction and desire for continuity led to the book being re-recorded with Marsters and re-released four years later. Although Glover did a good job with the reading, Marsters is truly an actor with his voice in these books; every character is distinguishable from the others and from one book to the next, allowing the listener to become familiar with and attached to them all.
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At a recent convention, it was announced that James Marsters had been given the chance to realise his dream: a film version of Macbeth. He is currently working to adapt the Bard's famous tragedy for the big screen. Unfortunately, there are rumours that the film's financing has been cut off.
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While doing regional theatre in Chicago, James Marsters founded the New Mercury Theatre company, named after Orson Welles's "Mercury Theatre". In 1990 the founders of New Mercury pulled the operation together and moved to Seattle in the hope of finding more opportunities; they performed there for several years, using any available space, including the basements of restaurants and churches, until they eventually found a more permanent space of their own near Pioneer Square.
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