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Agatha Christie's Poirot

TV SERIES · 1989–2013 · UK

Agatha Christie's Poirot

Network
ITV1
Seasons
13
Episodes
70
Studio
The Computer Film Company, Picture Partnership Productions, Carnival Films

48 archived facts 8 topics 1 source Last reviewed Nov 2026

From England to Egypt, accompanied by his elegant and trustworthy sidekicks, the intelligent yet eccentrically-refined Belgian detective Hercule Poirot pits his wits against a collection of first class deceptions.

  • Agatha Christie's Poirot — production image

48 Interesting Facts About Agatha Christie's Poirot

Interesting Facts (7)

  1. #001

    Before playing Poirot, David Suchet played Chief Inspector Japp opposite Peter Ustinov as Hercule Poirot in Thirteen at Dinner (1985). Suchet considers his performance as Japp to be the worst performance of his career, while he considers Poirot to be his best.

    INTERESTING FACTS · SOURCED

  2. #002

    The television series does not feature the stories according to the order of their original publication, and sets nearly all stories in the 1930s.

    INTERESTING FACTS · SOURCED

  3. #003

    The series features a surprising amount of what would now be considered light-hearted culture clash comedy banter between Poirot and Hastings.

    INTERESTING FACTS · SOURCED

  4. #004

    By the 2020s, as every episode had since been released on home entertainment formats, such as dvd, etc, each episode had then been retro-fitted with a rating, as was common practice for cinema film releases. For example, in the UK the BBFC, and in Ireland, the IFCO had rated most episodes as either 12 or 15 - not suitable for children under those ages. The usa clearly has the overall series run rated as TV-14, but note that globally some episode age ratings may vary across the run, depending on story content, and bloody imagery.

    INTERESTING FACTS · SOURCED

  5. #005

    Originally developed for television by Picture Partnership Productions, the series was initially produced for television, by then independent ITV franchise contractor LWT (London Weekend Television), which was then bought over by Granada Television, and in turn Granada merged with Carlton to ultimately form ITV Studios. The later 2010s restoration of the earlier pre-ITV Studios copyright versions were then retro-fitted so the Copyright was to ITV Studios, not the original owner LWT or Granada. The distribution conpany was also revised to the new consolidated ITV Studios Global Entertainment.

    INTERESTING FACTS · SOURCED

  6. #006

    The *second major British television drama, to be shot with the Panavision 'Elaine' Super 16mm camera system. *The first was "Inspector Morse", (Central/ITV)

    INTERESTING FACTS · SOURCED

  7. #007

    While preparing for the role, Sir David Suchet read every book and short story featuring Poirot: "I had my file on one side and a pile of stories on the other, and day after day, week after week, I examined most of Agatha Christie's novels about Hercule Poirot and wrote down his characteristics until I had a file full of documentation on the character. Then my job was not just to know what he was like, but gradually to become him."

    INTERESTING FACTS · SOURCED

Production Story (17)

  1. #008

    Hercule Poirot was named after two other fictional detectives of the time: Marie Belloc Lowndes's Hercule Popeau and Frank Howel Evans's Monsieur Poiret, a retired Belgian Police Officer living in London. Poirot also bore a resemblance to A.E.W. Mason's Inspector Hanaud of the French Sûreté.

    PRODUCTION STORY · SOURCED

  2. #009

    In the 2010s, ITV in the UK replaced their showings of the original broadcast tapes of the late 1980s/early 1990s "dirty" telecine versions of the series with the re-mastered pristine telecine versions, originally released as DVD/Blu-ray box sets. With the cleanup, and revealing more of the negative, this early part of the run felt like a remake to viewers who saw it first-run. The side-by-side comparisons show a sometimes remarkable difference in the earlier episodes' re-mastered versions.

    PRODUCTION STORY · SOURCED

  3. #010

    Very occasionally picture quality may drop for a very short sequence, in the restored versions of the earlier seasons, usually also appearing vaguely pixelated. It appears to only be certain stock footage shots, where the original film elements were unable to be sourced for re-scanning, and/or montage sequences that were created using video post-production. Additionally, where the original negatives weren't able to be used for a restored shot, occasionally a shot may have been re-used from the earlier unrestored master tape, inserted in its original timecode position.

    PRODUCTION STORY · SOURCED

  4. #011

    Story changes were often made to present female characters in a more sympathetic or heroic light (at odds with Dame Agatha Christie's characteristic gender-neutrality in her novels).

    PRODUCTION STORY · SOURCED

  5. #012

    Agatha Christie wrote 33 Poirot novels, one theatrical play featuring Poirot, and 51 Poirot short stories. They were published between 1920 and 1975, covering a period of 55 years in the author's life. Christie died in 1976.

    PRODUCTION STORY · SOURCED

  6. #013

    Suchet was recommended for the part by Dame Agatha Christie's family, who had seen his performance in the mid-80s BBC series Blott on the Landscape (1985). Curiously, that series was also made by Picture Partnership Productions, later renamed Carnival Films, which are later credited with developing and producing Poirot with the ITV network. Both series share producer Brian Eastman. Previously, Christie's daughter Rosalind Hicks and writer/producer Nick Evans had considered Suchet for the role of Poirot in the then upcoming production Murder by the Book (1986). But Suchet was not approached at that time and the role went to Ian Holm.

    On the set of Poirot (1989), Hercule Poirot is in a street scene beside an old car with people in top hats and period clothing.
    Poirot (1989): Poirot in a hat and the period-costumed crew on the streetImage: Wikimedia Commons · hairyeggg, CC BY-SA 2.0

    PRODUCTION STORY · SOURCED

  7. #014

    The second major British television drama to be shot with the Panavision 'Elaine' Super 16mm camera system. The first was "Inspector Morse" (Central/ITV).

    PRODUCTION STORY · SOURCED

  8. #015

    The series filmed all of Christie's Poirot works; the short story 'The Lemesurier Inheritance' was incorporated into the episode 'The Labours of Hercules' (2013), while her only stage play, 'Black Coffee', was read aloud by Sir David Suchet for the Agatha Christie Theatre Company.

    PRODUCTION STORY · SOURCED

  9. #016

    The name Hercule Poirot was inspired by two fictional detectives of the period: Marie Belloc Lowndes's Hercule Popeau and Frank Howel Evans's Monsieur Poiret, a retired Belgian police officer living in London. Poirot also bore a resemblance to Inspector Hanaud of the French Sûreté in the work of A.E.W. Mason.

    PRODUCTION STORY · SOURCED

  10. #017

    In the series, story changes were made so that female characters were generally presented in a more sympathetic or heroic light; this stood in contrast to the characteristic gender neutrality of Agatha Christie's novels.

    PRODUCTION STORY · SOURCED

  11. #018

    The series was filmed in genuine Art Deco-era buildings from the 1930s as well as other structures suited to the story. Some scenes, such as the interior of Hercule Poirot's flat, were shot at Twickenham Film Studios. Apart from the ultra-distinctive houses and buildings used only once in specific episodes, the era's Hoover UK (vacuum cleaner) factory and the Boots the Chemists site were industrial/corporate locations frequently used as different settings across multiple episodes; usually only minimal set dressing and "matte paintings" were relied upon.

    PRODUCTION STORY · SOURCED

  12. #019

    In the 2010s, in the UK, ITV replaced the "dirty" telecine versions of the original broadcast tapes from the late 1980s/early 1990s with the re-graded, sparkling-clean telecine versions released in DVD/Blu-ray box sets. With the cleanup and more of the negative being revealed, this early part of the series seemed like a remake to viewers seeing it for the first time. Side-by-side comparisons show that the re-graded versions of the early episodes sometimes differ noticeably.

    PRODUCTION STORY · SOURCED

  13. #020

    In restored versions of the early seasons, image quality can drop for a very short time and slight pixelation is often visible. This appears only in certain stock footage shots and/or montage sequences created using video post-production, where the original film elements could not be found for rescanning. Also, when the original negatives were unavailable for a restored shot, a shot from the earlier unrestored master tape may sometimes have been inserted at the original timecode position.

    PRODUCTION STORY · SOURCED

  14. #021

    To portray Hercule Poirot's overweight physique, the much slimmer David Suchet used body padding. He also wore winged collars to make his neck look thicker.

    PRODUCTION STORY · SOURCED

  15. #022

    While preparing for the role, Sir David Suchet read every book and short story in which Poirot appears: 'For days and weeks I combed through Agatha Christie's Hercule Poirot novels with my file on one side and a pile of stories on the other, noting down character traits. After that, my job was not just to know what he was like, but gradually to become him.'

    PRODUCTION STORY · SOURCED

  16. #023

    While some actors try to keep their distance from a long-running series role, believing it can typecast them and damage their careers, David Suchet appears to have fully accepted that he may be known worldwide only as Hercule Poirot. Just as Basil Rathbone became identified with Sherlock Holmes, he has hosted various Agatha Christie and Hercule Poirot documentaries and taken part in spin-off 'brand extensions'.Throughout the series, several British and Irish acting families appeared in episodes (usually not together): James Fox and his brother Edward Fox; the Cusack sisters Niamh Cusack, Sorcha Cusack and Sinéad Cusack; David Yelland and his daughter Hannah Yelland; Peter Penry-Jones and his son Rupert Penry-Jones; David Burke, his wife Anna Calder-Marshall and their son Tom Burke; Christopher Guard and his brother Dominic Guard; Phyllida Law and her daughter Sophie Thompson.

    PRODUCTION STORY · SOURCED

  17. #024

    The series contains a surprising amount of banter dialogue between Poirot and Hastings that could today be described as light culture-clash comedy.

    PRODUCTION STORY · SOURCED

Behind the Scenes (14)

  1. #025

    The series was shot on a variety of appropriate 1930s Art Deco period real buildings, as well as other buildings that would suit the story, with certain locations such as Hercule Poirot's apartment interior shot at Twickenham Film Studios. Apart from ultra distinct houses and buildings used one-off in specific episodes, the period Hoover UK (vacuum cleaner) factory and the Boots the Chemists estate were among the few industrial/corporate locations that were versatile and large enough to be often used in multiple episodes as different locations, often with minimal set dressings and "matte paintings".

    BEHIND THE SCENES · SOURCED

  2. #026

    During the filming of the first season, Sir David Suchet almost left the production during an argument with a director, insisting that Poirot's mannerisms (specifically, putting a handkerchief down before sitting on a park bench) be featured.

    BEHIND THE SCENES · SOURCED

  3. #027

    Sir David Suchet stayed in character as Poirot at all times when on set, whether the cameras were rolling or not.

    BEHIND THE SCENES · SOURCED

  4. #028

    In order to successfully pull off Poirot's characteristic walk, Sir David Suchet thought of clenching a coin in between his buttocks.

    BEHIND THE SCENES · SOURCED

  5. #029

    Sir David Suchet initially trimmed the top of his hair to appear more balding, except in The Mysterious Affair at Styles (1990), which chronicled Poirot's first case in England where he is supposed to be considerably younger. In later years, his hair had thinned naturally.

    BEHIND THE SCENES · SOURCED

  6. #030

    Several days before filming, Sir David Suchet would often dress up and act as Hercule Poirot. He would immerse himself in the role by acting like the detective even with his own family at home. This made his transition to the role easier when filming started.

    BEHIND THE SCENES · SOURCED

  7. #031

    To simulate the overweight physique of Hercule Poirot, David Suchet, who is much slimmer, wore body padding. He also wore wing collars to make his neck appear fatter.

    BEHIND THE SCENES · SOURCED

  8. #032

    In preparation for the role, Sir David Suchet read every book and short story in which Poirot appeared: "I had my file on one side of me and a pile of stories on the other side and day after day, week after week, I ploughed through most of Agatha Christie's novels about Hercule Poirot and wrote down characteristics until I had a file full of documentation of the character. And then it was my business not only to know what he was like, but to gradually become him."

    BEHIND THE SCENES · SOURCED

  9. #033
    Contains a major spoiler — show

    Sir David Suchet had grown so attached to the character that he knew shooting his death scene in Curtain: Poirot's Last Case (2013) would be emotionally painful. He asked that this scene be shot early on the schedule, so that the last scene shot would still feature the character alive.

    BEHIND THE SCENES · SOURCED

  10. #034

    During filming of the first season, Sir David Suchet nearly left the production during an argument with a director, insisting that Poirot's mannerisms (especially placing his handkerchief on the ground before sitting on a park bench) be brought to the fore.

    BEHIND THE SCENES · SOURCED

  11. #035

    The series was filmed at genuine Art Deco buildings from the 1930s as well as other structures suited to the story. Some scenes, such as the interior of Hercule Poirot's flat, were recorded at Twickenham Film Studios. Aside from the ultra-distinctive houses and buildings used only once in specific episodes, the era's Hoover UK (vacuum cleaner) factory and the Boots the Chemists site were industrial/corporate locations frequently used as different settings across multiple episodes; generally, minimal set dressing and "matte paintings" sufficed.

    BEHIND THE SCENES · SOURCED

  12. #036

    In the 2010s, in the UK, ITV replaced the "dirty" telecine versions of the original broadcast tapes from the late 1980s/early 1990s with the remastered, pristine telecine versions released in DVD/Blu-ray box sets. With the cleanup and the negative being revealed more fully, this early part of the series seemed like a remake to viewers seeing it for the first time. Side-by-side comparisons show that the remastered versions of the early episodes sometimes differ noticeably.

    BEHIND THE SCENES · SOURCED

  13. #037

    When watching the series back to back, it becomes clear that they had a limited number of period-appropriate vehicles. The same two very distinctive red and bright blue cars appear regularly in many street scenes. It is also sometimes easy to spot places where they tried to hide modern fixtures and fittings; the most obvious are round light switches mounted on square blocks, with those blocks in the same frame as modern (1980s etc.) light switches. Also, an external modern intercom buzzer disguised as a building number plate.

    BEHIND THE SCENES · SOURCED

  14. #038

    In the restored versions of the early seasons, the image quality can drop for a very short time and slight pixelation is often visible. This appears only in certain stock footage shots and/or montage sequences created using video post-production, where the original film elements could not be found for rescanning. Also, when the original negatives were unavailable for a restored shot, a shot from the earlier unrestored master tape may sometimes have been inserted at the original timecode position.

    BEHIND THE SCENES · SOURCED

Characters & Cast (3)

  1. #039

    Twenty-four actors have appeared in two episodes as different characters within the show: Nicholas Farrell, Pip Torrens, Haydn Gwynne, Simon Shepherd, Richard Lintern, Carol MacReady, Beth Goddard, Lucy Liemann, David Yelland, Fenella Woolgar, Beatie Edney, Frances Barber, Sean Pertwee, Danny Webb, Ian Hallard, Jane How, Patrick Ryecart, Barbara Barnes, Tim Stern, John Carson, Richard Durden, Geoffrey Beevers, Catherine Russell, and Phyllida Law.

    CHARACTERS & CAST · SOURCED

  2. #040

    While preparing for the role, Sir David Suchet read every book and short story in which Poirot appears: 'With my file on one side and a pile of stories on the other, I combed through Agatha Christie's Hercule Poirot novels for days and weeks and took notes on the character's traits. After that, my job was not just to know who he was, but gradually to become him.'

    CHARACTERS & CAST · SOURCED

  3. #041

    Sir David Suchet would often dress and act as Hercule Poirot for several days before filming. Even at home with his family, he would take on the role by behaving like the detective. This made it easier for him to slip into the role once filming began. Whether or not the cameras were rolling on set, he always remained in character as Poirot.

    CHARACTERS & CAST · SOURCED

Easter Eggs & References (3)

  1. #042

    While at least some of the stories take place in 1935 (in Murder in the Mews (1989), the date of Guy Fawkes Day is given as November 5, 1935), Florin Court in Charterhouse Square, the building that serves as the location of Poirot's flat, wasn't built until 1936.

    EASTER EGGS & REFERENCES · SOURCED

  2. #043

    When binge watching the series, it becomes apparent that they had a limited supply of appropriate period vehicles. In many street scenes, the same 2 very distinctive red and bright blue cars regularly appear. Additionally, it's sometimes easy to spot where they've tried to disguise modern fixtures and fittings, most obvious is the round light switches mounted on square blocks, that happened to be the same square as modern (1980s, etc) light switches. Also, an external modern intercom buzzer, disguised as the building number sign.

    EASTER EGGS & REFERENCES · SOURCED

  3. #044

    When watching the series back to back, it becomes clear that the supply of appropriate period vehicles was limited. In many street scenes the same two very distinctive red and bright blue cars appear regularly. In addition, it is easy to notice that modern fixtures and fittings were sometimes concealed; the most obvious are round light switches mounted on square blocks in the same frame as modern (1980s etc.) light switches. There is also an external modern intercom buzzer disguised as a building number sign.

    EASTER EGGS & REFERENCES · SOURCED

Deeper Meaning (1)

  1. #045

    David Jason is a big fan of the show and other detective series, which inspired him to play a detective in A Touch of Frost (1992).

    DEEPER MEANING · SOURCED

Career & Awards (2)

  1. #046

    While some actors may try to distance themselves from a long-term television series role that they feel may typecast them and potentially hurt their career potential, David Suchet appears to have fully embraced that he may only be known worldwide as Hercule Poirot, not unlike Basil Rathbone as Sherlock Holmes, and has appeared as a host in various Agatha Christie and Hercule Poirot documentaries and spin-off "brand extensions".

    CAREER & AWARDS · SOURCED

  2. #047

    Before playing Poirot, David Suchet played Chief Inspector Japp opposite Peter Ustinov as Hercule Poirot in Thirteen at Dinner (1985). Suchet considers his performance as Japp to be the worst of his career, while he considers Poirot to be his best.

    CAREER & AWARDS · SOURCED

Life & Family (1)

  1. #048

    Numerous British and Irish acting families appeared in episodes throughout the course of the series (though usually not together): James Fox and his brother Edward Fox; the Cusack sisters Niamh Cusack, Sorcha Cusack and Sinéad Cusack; David Yelland and his daughter Hannah Yelland; Peter Penry-Jones and his son Rupert Penry-Jones; David Burke, his wife Anna Calder-Marshall, and their son Tom Burke; Christopher Guard and his brother Dominic Guard; Phyllida Law and her daughter Sophie Thompson.

    LIFE & FAMILY · SOURCED

Sources & editorial notes

Reference databases

  • Wikipedia English Wikipedia article
  • IMDb IMDb title page (trivia)

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