FILM · 2017 · UK
Baby Driver
- Directed by
- Edgar Wright
- Runtime
- 113 min
- Studio
- Big Talk Studios, Working Title Films, MRC
179 archived facts 8 topics 1 source Last reviewed Nov 2026
After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.
179 Interesting Facts About Baby Driver
Interesting Facts (76)
- #001
Director Edgar Wright once parked his car in a parking lot and noticed, entirely by coincidence, that the car beside his bore a stylized "BABY ON BOARD" sign whose face was taken from the film's poster. Wright left a note on the car's windshield signed with the words "From the director of Baby Driver, I approve!"
- #002
- #003
The Mike Myers masks were originally meant to be Michael Myers masks from the Halloween series, but the producers could not obtain the legal permission. Edgar Wright then approached the comedian Mike Myers about using masks resembling him, thinking the scene was funny. This is ironic because the original Michael Myers masks were themselves obtained without the necessary permission: Tommy Lee Wallace, the production assistant on the first film, bought a William Shatner/Captain Kirk mask from a Halloween store and painted it white to give it a creepy look.
- #004
- #005
Contains a major spoiler — show
Edgar Wright said the final scene, in which Baby leaves prison, was deliberately left ambiguous (note that neither Baby nor Debora appears to have aged), to leave the audience to interpret whether he was actually paroled and whether what the narrator says about the rainbow comes true, or whether it is simply a product of his imagination. The actors Ansel Elgort and Lily James also disagreed on this: Elgort thinks it really is his imagination, while James thinks it actually happened.
- #006
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- #018
The large collection of sunglasses and iPods Baby owns was not bought by him; they were taken from the cars he stole. In an interview, Edgar Wright said: "If he's been stealing cars since he was 12, the most important things he'd inherit from these stolen cars are people's sunglasses and iPods."
- #019
Near the beginning of the film, as Baby flips through channels, several lines of dialogue from different films can be heard ("You are so beautiful," "They grow up so freaking fast," "How's that working out for you?" and "We're partners. There's nothing more important to me more than our friendship"). Each of these lines later appears as a line of dialogue delivered by Baby.
- #020
- #021
- #022
- #023
- #024
Contains a major spoiler — show
When Baby steals the woman's car, he tunes the radio from 104.1 FM to 97.1 FM, and Golden Earring's "Radar Love" plays. Along the way he hits several real Atlanta-area radio station frequencies: 104.1 FM WALR, an R&B and jazz station, is what the woman was listening to when Baby first stops her; 101.5 FM WKHX is a country music station where Baby briefly stops; and 97.1 FM WSRV, where Baby stops, is a classic rock station. It is also worth noting that while searching for 97.1 FM, Baby appears to skip more than ten stations from 100.5 FM to 96.5 FM, all of which play static. The only station that plays radio that is not a real frequency in Atlanta, 100.7 FM, was once a real radio station in the area. Its call letters, WGHR, are now used by a former station in the Tampa, Florida area, which may explain why Baby hears an old song while scrolling past that frequency.
- #025
- #026
It is the first R-rated film to be granted permission to show footage from a Disney film (Monsters, Inc. (2001)). As a result, Monsters, Inc. director Pete Docter was given a 'special thanks' credit.
- #027
- #028
Contains a major spoiler — show
While preparing for the third heist, Baby absentmindedly plays with a toy car and accidentally knocks it off the table. This foreshadows a scene in the third act in which Baby sends a police car from an upper-level parking garage crashing down into the street below.
- #029
- #030
The opening title sequence uses a single-take shot of Baby walking to get coffee and then walking back, recalling the famous opening of Shaun of the Dead (2004), in which Shaun walks to the shop and then returns home in a single shot (which is later repeated when the zombie outbreak begins).
- #031
- #032
Edgar Wright had been working on the idea for this film for many years. He first used it in a music video he directed for the British electronic duo Mint Royale and their track "Blue Song" (Mint Royale: Blue Song (2003)). In the video, Noel Fielding plays a music-loving getaway driver for a group of bank robbers that includes Wright regular Nick Frost. A clip from the video is shown in the film when the television in Baby's apartment is being channel-surfed.
- #033
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- #036
When Baby delivers pizza, there is a close-up of Wright's finger pressing the doorbell button. Wright also appears in the music store window during the first coffee run. Wright said on Twitter that he was following the shot and planned to remove the reflection in post, but decided to leave it in.
- #037
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- #042
Director Edgar Wright tweeted "Meryl Streep's in our movie!" in early 2017. He deleted it shortly afterward, and many people speculated about whether Streep was in the film. Although she does not appear in the film, Streep shows up on a TV screen in a clip from It's Complicated (2009) as Baby channel-surfs.
- #043
- #044
The film was initially set in Los Angeles but was ultimately shot in Atlanta. Other cities with tax incentives were ruled out for being too cold or for falling through at the last minute. Edgar Wright got help from local writers and location scouts to help him rewrite the film to make it specific to Atlanta.
- #045
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- #049
Several 2006 Subaru Impreza WRXs with various modifications were used in the film. Some were standard WRX STIs whose spoilers were swapped for the more conservative WRX version, while another had modifications including 320 horsepower, a heavier clutch and differentials from an STI. One of the cars was an automatic fitted with a seat and controls on the roof so the crew could film the "driving" actors without having to worry about actually controlling the car. Another, a WRX converted to rear-wheel drive that delivered a modest power increase up to a high 200-horsepower range, was named by stunt driver Jeremy Fry as his favorite vehicle.
- #050
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- #052
Although Baby says Debora belongs to the band Trex (T. Rex), the group actually recorded under the name Tyrannosaurus Rex and released in early 1968. The name was not shortened until 1970, when singer/guitarist Marc Bolan learned that producer Tony Visconti had used the abbreviation in his work diary. Bolan later informed Visconti that he would shorten the band's name because it was easier to spell.
- #053
Bats names three "hex songs": Guns N' Roses' cover of "Knockin' on Heaven's Door," Eagles' "Hotel California" and Boyz II Men's "End of the Road." "Knockin'" was based on a superstition recounted by a former inmate Edgar Wright interviewed, who said that if the song came on the radio before a plan was carried out, the robbery job would be called off. "Hotel California" is one of the songs Jamie Foxx absolutely hates in real life (he improvised that line). No explanation has yet been given for "End of the Road," though it underscores the complicated relationship between Baby and Debora throughout the film and that Doc has to give some things up for his heists.
- #054
- #055
Baby's first walk to get coffee (to "Harlem Shuffle") takes him out of the Healy Building on Forsyth St NW, around the first corner on the left toward Poplar St NW, and then to a café on the corner at Fairlie St NW. While many real landmarks are still visible on Google Maps (such as the Sidebar), other elements (such as graffiti and the ATM) are clearly added by the filmmakers.
- #056
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- #060
- #061
In a scene featuring Baby's home sound equipment, you can see the album cover of The Incredible Bongo Band's 'Bongo Rock'. One of the songs on the album, "Apache", became famous in the seventies when the pioneering hip hop DJ Kool Herc used it for mixing. In fact, many consider him one of the first to mix and scratch records to create new songs. The "Apache" break is still used today. The album cover can therefore be seen as a reference to the early pioneers of mixing, Baby's predecessors.
- #062
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- #071
Baby enters a coffee shop called Octane. From the moment the first bell rings as he enters to the moment the last bell rings as he leaves, he is inside for exactly 64 beats of the song. Oct- is the prefix for 8. The square of 8 is 64. Meanwhile, octane, by definition, is only a measure of a fuel's heat and pressure. The film is full of high-octane or intense car and foot chase scenes.
- #072
- #073
Young MC's (Marvin Young) song "Know How" includes the line "It's no hocus-pocus, I'll just get you into focus." Focus's song Hocus Pocus is also used in the film.
- #074
- #075
The Mike Myers masks were meant to be the "Michael Myers" masks from Halloween (1978). Those specific masks were in fact William Shatner masks. The reason this mask was used in Halloween was that it was ordinary enough to be unsettling when worn. It was so unrecognizable that the only way to tell whose face the mask was originally was if the person was also wearing a Star Trek (1966) costume, and even then the masks looked distorted and strange.
- #076
Production Story (79)
- #077
- #078
Director Edgar Wright once parked his car in a parking lot, but by complete coincidence noticed that the car next to his had a stylized "BABY ON BOARD" sign whose face was taken from the film's poster of Baby (Ansel Elgort). Wright left a note on the car's windshield with his signature that read "From the director of Baby Driver, I approve!"
- #079
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- #084
Extensive preparation was required to create action sequences synchronized with music. Edgar Wright chose the music he wanted before the script was written, so that the script could match the timing of the song exactly. For example, if a song was two and a half minutes long, Wright would write two and a half pages of descriptive action. Wright then had a sound designer take the selected music tracks and add sound effects described in the script, such as tire sounds, gunshots or vocal clips, according to the rhythm of the song. The animation and sound files were then passed on to the film's stunt coordinators and the director of photography, who were instructed to follow them as closely as possible. Before the final actual shots were filmed on 35mm film over multiple attempts, rehearsal shoots were painstakingly rehearsed for several days while being filmed with digital cameras. Finally, the film's editor used footage from the film camera's video assist to create a rough cut after each shot to make sure the timing was correct. Despite this extensive preparation, things did not always go perfectly: the scene in which Baby rewinds a song was improvised on set when Wright realized the song would not be long enough to cover the scene.
- #085
Edgar Wright said that the final scene in which Baby leaves prison was deliberately left ambiguous (note that neither Baby nor Debora visibly ages), to leave the audience's interpretation open as to whether he was actually paroled, and whether what the narrator says about the rainbow comes true; OR whether it is simply a product of his imagination. At the same time, both actors Ansel Elgort and Lily James disagreed about this. Elgort thinks it really is his imagination, while James thinks it really happened.
- #086
Baby listens to Queen's "Brighton Rock" on his iPod, and this foreshadows events that will occur later in the film. The song is a reference to the story Brighton Rock written by Graham Greene, in which the character Pinkie is a young man in a gang. Throughout the story, Pinkie tries to erase the traces of all the murders and secrets he has fallen into. He falls in love with a girl named Rose who works as a waitress in a restaurant. At the end of the novel, all the crimes have come back to Pinkie, and after being chased by the police, Pinkie dies. The only person left standing is Rose at the restaurant (the interest of love).
- #087
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- #094
The large sunglasses and iPod collection Baby owns were not bought by him; they were taken from the cars he stole. In an interview, Edgar Wright said: "If he's been stealing cars since he was 12, the most important things he'd inherit from these stolen cars are people's sunglasses and iPods."
- #095
The character of Joseph was originally written to be much older, in the mid-80s. CJ Jones (who plays Joseph, a deaf character) was discovered and recommended by casting director Francine Maisler. Jones is deaf in real life; Ansel Elgort had to learn sign language in order to communicate with him.
- #096
- #097
Near the beginning of the film, as Baby flips through channels, several lines of dialogue from different films can be heard ("You are so beautiful", "They grow up so freaking fast", "How's that working out for you?" and "We're partners. There's nothing more important to me more than our friendship"). Each of these lines appears later in the film as a line of dialogue delivered by Baby.
- #098
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- #101
At Bo's Diner, Darling tells Bats: "when Buddy sees red, all you'll see is black." During the final confrontation between Buddy and Baby in the parking lot, the red lights are flashing on the patrol car Buddy is driving. The bullfighting documentary shown on television at the beginning of the film also foreshadows the events of this confrontation, a documentary stating that the bull sees red, that the bullfighter starts on horseback and must finish on foot.
- #102
When Baby steals the bag lady's car, he tunes the radio from 104.1 FM to 97.1 FM, and Golden Earring's "Radar Love" plays. Along the way he hits the frequencies of several real Atlanta-area radio stations: * 104.1 FM WALR, what the lady is listening to when Baby first carjacks her, an R&B and jazz station. * 101.5 FM WKHX, a country music station where Baby briefly stops. * 97.1 FM WSRV, a classic rock station where Baby stops. It should also be noted that as Baby scans toward 97.1 FM, he appears to skip more than ten stations from 100.5 FM to 96.5 FM, all of them broadcasting static. The one station that plays radio that is not a real frequency in Atlanta, 100.7 FM, was once a real radio station in the area. Its call letters, WGHR, are currently used by a former station in the Tampa, Florida area, which may explain why Baby hears an old song while lingering on that frequency.
- #103
In the scene where Baby/Miles flips through channels on Joe's television, a dense amount of news is delivered. "You are so beautiful" on his first meeting with Debbie, "They grow up so freakin' fast" on Doc with his nephew, the post office observer, "How's that workin' out for ya?" on his first meeting with JD, the Monsters Inc. scene is a line Doc uses twice, and the bullfighting documentary ("The bull only sees red; Gaston is running out of options. He started this on horseback and now he has to finish it on foot") foreshadows his final confrontation with Buddy in the parking garage. Darling also refers to Buddy as "ruthless" and says he "sees red" while talking with Bats at the diner.
- #104
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- #109
The opening title sequence uses a single-take shot of Baby walking to get coffee and then walking back, reminiscent of the famous opening of Shaun of the Dead (2004), in which Shaun walks to the shop and then returns home in a single shot (this is later repeated when the zombie outbreak begins).
- #110
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- #114
When Baby brings the pizza, there is a close-up of Wright's finger pressing the doorbell button. Wright also appears in the music store window during the first coffee run. Wright said on Twitter that he was following the shoot and planned to remove the reflection in post, but decided to leave it in.
- #115
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- #119
Director Edgar Wright tweeted "Meryl Streep's in our movie!" in early 2017. After he deleted it shortly afterward, many people speculated about whether Streep was in the film. Although she does not appear in the film, Streep shows up on a TV screen in a clip from It's Complicated (2009) as Baby channel-surfs.
- #120
The film, initially set in Los Angeles, was ultimately shot in Atlanta. Other cities with tax incentives were ruled out for being too cold or falling through at the last minute. Edgar Wright got help from local writers and location scouts to help him rewrite the film to make it specific to Atlanta.
- #121
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- #124
At the diner, when Debora comes to take Baby's order, he is absent-mindedly browsing the kids' menu. Later, the other waitress says she thought Baby was a "been comin' in since before me" regular and that his mother worked there. Baby probably comes there and looks at the kids' menu because it reminds him of his childhood with his mother.
- #125
There are multiple references to the "Back to the Future Trilogy," with Kevin Spacey's character named "Doc" (Back to the Future (1985)) and Jon Bernthal's character named "Griff" (Back to the Future Part II (1989)). Red Hot Chili Peppers bassist Flea, who played the character "Needles" in Back to the Future Parts II & III, plays a small role as "Eddie" in this film. The "Doc" character in the film also mentions an old job called "The Spirit of 85" (referring to Atlanta's I-85 highway), the year Back to the Future was first released (1985).
- #126
- #127
Bats names three titles as "hex songs:" Guns N' Roses' cover of "Knockin' on Heaven's Door," Eagles' "Hotel California" and Boyz II Men's "End of the Road." "Knockin'" was based on a superstition described by a former prisoner Edgar Wright interviewed, who said that if the song came on the radio before a plan was carried out, the robbery job would be called off. "Hotel California" is one of the songs Jamie Foxx absolutely hates in real life (he improvised that line on set). Although no explanation has yet been given for "End of the Road," it emphasizes the complicated relationship between Baby and Debora throughout the film and that Doc has had to give up certain things for his robberies.
- #128
- #129
Because the film was shot in Atlanta, Edgar Wright added many touches to make it genuinely Atlantan. When the Bo's Diner chef picks up the phone and says "What'll ya have?", this is most likely a nod to The Varsity, the famous Atlanta restaurant where employees take your order by asking "What'll ya have?"
- #130
- #131
Griff warns Baby, "One of these days you're gonna get blood on your hands and you're gonna find out that shit don't wash off in the sink." This foreshadows his fate in the final act. In addition, Doc gives Baby a pair of gloves early in the film whose lower part is red like blood, and Baby abandons them after his third robbery, thinking he is free. As soon as Doc brings him back for the final robbery in the hope of clearing his debt, Griff's "prophecy" begins to come true.
- #132
Baby's first walk to get coffee (set to "Harlem Shuffle") takes him out of the Healy Building on Forsyth St NW, turns the first corner on the left toward Poplar St NW, and then leads him to a café on the corner where Fairlie St NW is located. While many real landmarks are still visible on Google Maps (such as the Sidebar), other elements (such as graffiti and an ATM) were clearly added by the filmmakers.
- #133
Jamie Foxx's character Bats has two sets of tattoos, one on each side of his neck, featuring bats that reference his nickname in the film (which appear and disappear throughout the film). He is also shown (in the poster) with a gun tattoo on his right hand. However, in every scene he appears in the film, the gun tattoo is on his left hand, while his right hand has a glove.
- #134
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- #140
In a scene featuring Baby's home audio equipment, you can see the album cover of The Incredible Bongo Band's album 'Bongo Rock'. One of the songs on this album, "Apache", became famous in the seventies when it was used for mixing by pioneering hip hop DJ Kool Herc. In fact, many consider him one of the first to mix and scratch records to create new songs. The "Apache" break sample is still used today. Thus, the album cover can be seen as a reference to the early pioneers of mixing, Baby's predecessors.
- #141
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- #145
Almost the entire film was shot in Atlanta; in the opening walk, you can see that Doc's office is inside the Healey Building in Downtown. Strangely, the bank in the first heist (which is not a real bank in real life) is in the Candler Building, less than three blocks away, not even a mile by car.
- #146
- #147
One of the cars used as a stunt car, a 2006 Subaru Impreza WRX Limited, received a series of modifications for the film by Allpro Subaru of Alpharetta, Georgia, and further modifications for shooting were made by Doug Wilkes at DBW Motorsport. These included a conversion to a rear-wheel-drive system, upgraded rear differentials and a turbocharger from a 2004 WRX STI. It was also used in the music videos for "Chase Me" by Danger Mouse, Big Boi & Run the Jewels' Subaru track (which includes scenes from the film) and Sony's video for the Los Angeles premiere. Despite having "a few minor dings and scratches," being repainted from Crystal Grey Metallic with the odometer rolled up to 168,000 miles and being described as in good condition, it was sold at auction via eBay in August 2017 for $69,100 (enough for two new WRXs).
- #148
- #149
Writer-director Edgar Wright conceived Baby Driver in 1994; he adapted the film's original planned opening into the 2003 music video he directed for Mint Royale's "Blue Song" (Mint Royale: Blue Song (2003)), starring Noel Fielding as a music-loving getaway driver for a group of bank robbers. A clip of the music video is briefly shown in the film as the main character switches between television channels. Emma Stone and Michael Douglas were also expected to be in the cast. Wright hired Ryan Heffington as the film's choreographer to work on the actors' timing and movements and synchronize them with the music.
- #150
The characters' real names are revealed throughout the film: that Bats's is Leon, which Doc states during a tense conversation; that Darling's is Monica, which Bats reveals after asking her following a robbery; that Buddy's is Jason, which is mentioned over the police radio during the final showdown; and that Baby's is, of course, Miles, which appears at the end of Debora's letter. Griff's and Doc's real names are never explicitly stated, though it can be assumed that Griff is short for Griffin.
- #151
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Behind the Scenes (4)
- #156
Creating action sequences synchronized to music required extensive preparation. Edgar Wright chose the music he wanted before the script was written, so that the script could match the song's timing exactly; for example, if a song was two and a half minutes long, Wright would write two and a half pages of descriptive action. Wright then had a sound designer take the chosen music tracks and add sound effects described in the script, such as tire sounds, gunshots or vocal clips, in time with the song's rhythm. The animation and sound files were then passed to the film's stunt coordinators and the director of photography, who were instructed to follow them as closely as possible. Before the final real shots were filmed on 35mm, the sequences were painstakingly rehearsed for several days while being shot on digital cameras. Finally, the film's editor used footage from the camera's video assist to create a rough cut after each shot to make sure the timing was right. Despite this extensive preparation, things did not always go perfectly: the scene in which Baby rewinds a song was improvised on set when Wright realized the song would not be long enough to cover the scene.
- #157
- #158
- #159
One of the cars used as a stunt car, a 2006 Subaru Impreza WRX Limited, received a series of modifications for the film by Allpro Subaru of Alpharetta, Georgia, and further modifications for the shoot by Doug Wilkes at DBW Motorsport. These included a conversion to rear-wheel drive, upgraded rear differentials and a turbocharger from a 2004 WRX STI. It was also used in music videos for Danger Mouse's "Chase Me," Subaru's Big Boi & Run the Jewels track (featuring scenes from the film) and Sony's video for the Los Angeles premiere. Despite having "a few minor dings and scratches," being repainted from Crystal Grey Metallic and having an odometer reading of 168,000 miles, and being described as in good condition, it was auctioned via eBay in August 2017 for $69,100 (enough for two new WRXs).
Characters & Cast (3)
- #160
When Edgar Wright began writing the script, he had only ten songs. According to the released playlist, the final film had thirty. "Smokey Joe's La La" was a very late replacement for B. Bumble & The Stingers' "Nut Rocker" during post-production, because after several test screenings Wright felt it "started to get on his tits," and part of that scene was reshot. The Commodores' "Easy" was also included after Ansel Elgort was cast, because Wright learned during auditions that it was one of the songs Elgort knew very well and could sing/lip-sync to. That moment won him the lead role.
- #161
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Easter Eggs & References (9)
- #163
Contains a major spoiler — show
Baby listens to Queen's "Brighton Rock" on his iPod, which foreshadows events that occur later in the film. The song is a reference to the story Brighton Rock by Graham Greene, in which the character Pinkie is a young man in a gang. Throughout the story Pinkie tries to erase the traces of all the murders and secrets he has become entangled in. He falls in love with a girl named Rose, who works as a waitress in a restaurant. At the end of the novel all the crimes have caught up with Pinkie, and after being chased by the police Pinkie dies. The only one left standing is Rose at the restaurant (the love interest).
- #164
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- #168
There are multiple references to the Back to the Future trilogy, with Kevin Spacey's character "Doc" (Back to the Future, 1985) and Jon Bernthal's character "Griff" (Back to the Future Part II, 1989). Flea, the Red Hot Chili Peppers bassist who played "Needles" in Back to the Future Parts II & III, has a small role in this film as "Eddie." The film's "Doc" character also mentions an old job called "The Spirit of 85" (a reference to Atlanta's I-85 highway), the year the first Back to the Future was released (1985).
- #169
Because Baby Driver was shot in Atlanta, Edgar Wright added many touches to make it genuinely Atlantan. When the chef at Bo's Diner picks up the phone and says "What'll ya have?", it is most likely a nod to The Varsity, the famous Atlanta restaurant where staff take your order by asking "What'll ya have?".
- #170
- #171
Jamie Foxx's character Bats has two sets of tattoos, one on each side of his neck, featuring bats as a nod to his nickname in the film (which appear and disappear throughout the film). He is also shown (in the poster) with a gun tattoo on his right hand. However, in every scene he appears in in the film, the gun tattoo is on his left hand, while his right hand has a glove.
Deeper Meaning (6)
- #172
Contains a major spoiler — show
At Bo's Diner, Darling tells Bats, "when Buddy sees red, all you'll see is black." During Buddy and Baby's final confrontation in the parking garage, the police car Buddy is driving has red lights flashing. The bullfighting documentary shown on television at the start of the film also foreshadows the events of this confrontation, noting that the bull sees red, that the bullfighter begins on horseback and must finish on foot.
- #173
- #174
Contains a major spoiler — show
Griff warns Baby, "One of these days you're gonna get blood on your hands and you're gonna find out that shit don't wash off in the sink". This foreshadows his fate in the final act. In addition, Doc gives Baby a pair of gloves early in the film whose lower part is red like blood, and Baby abandons them after his third heist, thinking he is free. As soon as Doc brings him back for the final heist, not expecting to save him from the scrap heap, Griff's "prophecy" begins to come true.
- #175
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Career & Awards (1)
Life & Family (1)
- #179
At the diner, when Debora comes to take Baby's order, he is absent-mindedly looking over the kids' menu. Later, another waitress says that Baby has been coming in "since before me" and that she thinks his mother worked there. Baby probably comes there and looks at the kids' menu because it reminds him of his childhood with his mother.
Related pages
- Ant-Man — Baby Driver comes up in the facts on that page
- Shaun of the Dead — Baby Driver comes up in the facts on that page
- Knives Out — Baby Driver comes up in the facts on that page
Sources & editorial notes
Reference databases
- Wikipedia
- IMDb
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