FILM · 1991 · USA
Bugsy
44 archived facts 6 topics 1 source Last reviewed Oct 2026
- #001
The film shows Bugsy Siegel watching his own screen test. In real life, Siegel made many friends among the Hollywood elite, wanted a screen test and had one made. Like many other screen tests, the footage no longer exists, but the legend of Siegel's attempt to break into show business lives on.
- #002
The film George Raft (Joe Mantegna) is shooting when he visits Bugsy Siegel on set is Manpower (1941), in which Raft shared top billing with Edward G. Robinson. The scene in which Raft gets into a bar fight and hands the broken chair to an actress (Virginia Hill (Annette Bening)) really did appear in the film.
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The idea that Bugsy Siegel alone envisioned the Las Vegas Strip is only partly true. The Flamingo was the third major property on the Las Vegas Strip (behind El Rancho and the Last Frontier) and was not even Bugsy's idea. The Flamingo concept came from the corrupt gambler Billy Wilkerson, who intended to model it on Los Angeles nightclubs. Siegel became Wilkerson's partner and eventually took over the project. He later added many of his own ideas to the project, but the original idea was not his.
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Although the film suggests that Bugsy Siegel and Virginia Hill met on a set for the first time, they had in fact met several years earlier. At that time Hill was dating Joe Adonis (played in this film as Joey A. by Lewis Van Bergen), and she and Bugsy had an affair, which explains the hostility between Bugsy and Joey throughout the film.
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In the late 1970s, Jean-Luc Godard became obsessed with the story of Bugsy Siegel and planned to make a film about him. He wrote a screenplay simply titled "The Story" and planned to cast Robert De Niro and Diane Keaton as Siegel and Virginia Hill respectively. He abandoned the plan when Keaton lost interest and then turned his attention to Every Man for Himself (1980) as a return to commercial filmmaking. An excerpt from the screenplay draft can be found in the 1985 edition of the book "Godard on Godard."
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The epilogue before the end of the title sequence reads: "A week after Bugsy Siegel's death, Virginia Hill returned all of the missing money to Meyer Lansky. Virginia Hill committed suicide in Austria. By 1991, the six million dollars invested in Bugsy's Las Vegas dream had earned 100 billion dollars." After Bugsy died in 1947, Virginia married her fourth husband, an Austrian skier, in 1950 and gave birth to a son the same year. In 1966 she died in Austria at the age of 49 from an overdose of sleeping pills.
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The four-engine flying boat depicted as it lands in Havana, Cuba, for the mob meeting that includes Lucky Luciano is a 1936 Sikorsky S-42B registered NC16735 and belonging to Pan Am. Shortly after this footage was shot, the aircraft was destroyed on December 8, 1941, in Japan's attack on Hong Kong.
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The red plane Bugsy Siegel tries to board Virginia Hill on is a 1944 Howard DGA-15P, registration N67423. Of all variants, 520 were built between 1939 and 1944, most used by the military and sold for private use after the war. As of 2020, this particular aircraft is still registered as airworthy.
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Harvey Keitel and Sir Ben Kingsley were both nominated for Best Actor in a Supporting Role for this film. This makes it the second film in 1991 in which two actors were nominated for the same award. The others were Susan Sarandon and Geena Davis for Thelma & Louise (1991), which also featured Harvey Keitel.
- #034
Something not mentioned in the film is that Ben Siegel was briefly regarded as a suspect in the gruesome murder of Elizabeth Short (the Black Dahlia), which occurred shortly before Siegel's own murder. The proximity of the body to a rival gangster's home, Short's ties to the mob and Siegel's history of vicious knife murders made him a suspect (and still do).
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This marks the first time James Toback and Harvey Keitel collaborated solely as writer and star. Toback had previously written and directed Fingers (1978), Exposed (1983) and The Pick-up Artist (1987), all starring Keitel. Although Toback wrote the script intending to direct it, Barry Levinson became the one making the decisions.
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