
FILM · 2001 · JAPAN
千と千尋の神隠し
- Directed by
- Hayao Miyazaki
- Runtime
- 125 min
- Studio
- Studio Ghibli, Tokuma Shoten, Nippon Television Network Corporation
70 archived facts 8 topics 1 source Last reviewed Nov 2026
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
70 Interesting Facts About 千と千尋の神隠し
Interesting Facts (16)
- #001
The city that Chihiro and her parents are moving to at the start is the fictional town of Tochinoki along Route 21, just north of Nagoya. Tochinoki is also the name of an amusement park north of Tokyo and a spa resort in southern Japan. The large hill in their neighborhood, where the dirt road begins, is called Green Hill.
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(at around 1h 27 mins) When Chihiro crushes the small, worm-like creature that lived inside Haku with her foot, Kamaji tells her to "Cut the line!" This gesture is a Japanese good-luck charm that involves a chopping motion made with the connected index fingers of another person. It is performed whenever someone is affected by impurity. During the dubbing process for the "Spirited Away" Nippon-TV Special, Rumi Hiiragi, which features Chihiro, the concept was unfamiliar to her and was explained by Hayao Miyazaki. A sound engineer remarked, "The young don't know it these days."
- #007
The character No Face bears a striking resemblance to a silkworm, a creature of great importance in Japanese culture. No Face seems to have a white face and a mouth below it. Silkworms have markings that resemble facial features, and their mouths are located below these markings. Silkworms and No Face eat constantly and overgrow. At the movie's end, No Face goes with Sen to visit Zeniba. No Face stays with Zeniba as a spinner.
- #008
The original Japanese names written in Kanji (Chinese characters) for many of the characters provide clues to their identities: Yubaba (hot-water crone), Zeniba (money crone), Kaonashi (no face), Bô (young boy/child), Kamajii (kettle/boiler pot/old man), Chihiro (thousand fathoms or thousand searches), Sen (thousand (pronunciation of chi kanji when isolated)).
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- #011
The theme of not looking back is an homage to the Shinto Myth of Izanagi (& Izanami) escaping from the Underground World of Death (Yomino Kuni), which is very similar to the Greek myth of Orpheus and Eurydice. Many of the characters in this animation are based on Shinto Myth and have Shinto Gods' names. For example, Haku's actual name, 'Nigihayami Kohakunushi,' is taken from a real God's name, Nigihayahi.
- #012
Hayao Miyazaki wrote, directed, and drew the storyboards for the movie; many directors have claimed that he essentially 'writes his movie with drawings,' with films like this representing one person's work and vision. The filmmaker is so influential and involved in the production that the New Yorker once called him "the auteur of anime."
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Production Story (17)
- #017
There are several instances in the English-dubbed version where additional dialogue was absent in the original Japanese release. In an interview with John Lasseter, he explained that it was a necessary addition to help clarify some aspects for American audiences. For example, what is a bathhouse to a Japanese viewer might not be apparent to an American viewer. This translation issue was resolved by having the character explain, "Oh, it's a bathhouse."
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- #020
Although it has a rich plot with well-developed characters, this film was not created with a script. Hayao Miyazaki's films have never used scripts during production. "I don't have the story finished and ready when we start work on a film," the filmmaker told Midnight Eye. "I usually don't have the time. So, the story develops as I begin drawing storyboards. The production starts while the storyboards are still evolving." Miyazaki doesn't know where the plot is heading, and he lets it develop naturally. "It's not me who makes the film. The film makes itself, and I have no choice but to follow."
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- #027
Despite having a rich plot and well-developed characters, the film was not created from a script. Hayao Miyazaki's films have never used a script during production. In an interview with Midnight Eye, the director said, "When I start a film, the story isn't ready and finished. Usually I don't have time. So the story develops as we start drawing the storyboards. Production begins while the storyboards are still evolving." Miyazaki does not know where the plot is going and lets it develop naturally. "I don't make the film. The film makes itself and I just have to follow."
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- #032
Haku's movements as a dragon were inspired by the swimming motion of an eel. For the scenes in which he is attacked, Hayao Miyazaki cited the example of a live eel at a fish market before it is gutted. When he realized that none of his animators had ever seen this, Miyazaki remarked sarcastically, 'Japanese culture is ruined.'
- #033
Behind the Scenes (5)
- #034
- #035
Contains a major spoiler — show
(at around 1h 14 mins) In the English-language version, John Ratzenberger (Aniyaku) totally improvised the song he sings when praising the rich customer No-Face ("Welcome the rich man, he's hard for you to miss..."). The original script's song was "Welcome the rich man--he's pretty big, you see/so all bow down and get on bended knee."
- #036
Haku's dragon movements were inspired by the swimming undulations of an eel. For the scenes in which he is attacked, Miyazaki cited a live eel at a fish market before it was gutted as an example. When he realized that none of his animators had seen this, he said sarcastically, 'Japanese culture is ruined.'
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Characters & Cast (3)
Easter Eggs & References (7)
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Chihiro's father drives a first-generation Audi A4 sedan. The level of detail included by the director consists of Audi's trademark "Quattro" four-wheel drive system when Chihiro's father decides to take the car in the forest, along with the ABS (anti-lock brake system), which pushes the brake pedal back when Chihiro's father brakes hard seeing the statue.
- #047
- #048
Contains a major spoiler — show
A minor dubbing error causes Haku's name to be slurred. His actual given name in "Sen to Chihiro no kamikakushi" is Kohakunushi Nigihayami, while "Spirited Away" just refers to the Kohaku River, ignoring the rest of his name entirely, and therefore changing the meaning of his name drastically.
Deeper Meaning (12)
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- #050
There is a common misconception that the film takes place in a brothel. This is false; Hayao Miyazaki made this film with young females in mind. Another quote from the creator that disproves this claim states he is unhappy with how the sex industry has become more focused on including children.
- #051
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- #053
Contains a major spoiler — show
After his bath by Chihiro/Sen, the river spirit rewards her with an emetic dumpling. Emetics are substances that induce vomiting. We still use emetics in medical settings today, such as in cases of poisoning. Some of these emetics have been used since ancient times.
- #054
When Chihiro crushes the small worm-like creature living inside Haku with her foot, Kamaji tells her, "Cut the line!" This gesture is a Japanese good-luck charm performed by joining the index fingers in a cutting motion. It is done when a person has been affected by impurity. During the dubbing of the "Spirited Away" Nippon-TV special, Rumi Hiiragi, who voiced Chihiro, was unfamiliar with this concept and it was explained to her by Hayao Miyazaki. A sound engineer said, "These days young people don't know this."
- #055
When the original Japanese names of many characters are written in kanji (Chinese characters), they give clues about their identities: Yubaba (hot water witch), Zeniba (money witch), Kaonashi (no-face), Bô (boy child/child), Kamajii (kettle/kettle old man), Chihiro (thousand fathoms or thousand seeking), Sen (thousand (the reading of the chi kanji when isolated)).
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Career & Awards (8)
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First anime film to be nominated for (and win) an Academy Award. At the time, it had the longest runtime of any other film nominated or winning in that category (125 minutes). It has since been surpassed by, among other films, The Tale of The Princess Kaguya (2013), also from Studio Ghibli.
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Life & Family (2)
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