ArkaEvren
乱

FILM · 1985 · JAPAN

乱

Directed by
Akira Kurosawa
Runtime
160 min
Studio
Nippon Herald Films, Greenwich Film Production, Herald Ace

142 archived facts 8 topics 1 source Last reviewed Nov 2026

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

  • 乱 — production image

142 Interesting Facts About 乱

Interesting Facts (26)

  1. #001

    The castle destroyed in the middle of the movie was specially constructed on the slopes of Mount Fuji for the film and then burned down. No miniatures were used for that segment, although a shot of another castle being burned at the end was used.

    INTERESTING FACTS · SOURCED

  2. #002

    Almost the entire film is done in long-shot and there are only a handful of close-ups, such as when The Lady Kaede is presented with the head of a fox statue.

    INTERESTING FACTS · SOURCED

  3. #003

    By the time principal photography began, Akira Kurosawa's eyesight had deteriorated almost completely. He could only frame shots with the help of assistants who used his storyboard drawings as a guide.

    INTERESTING FACTS · SOURCED

  4. #004

    All of the hundreds of costumes were created by hand and took two years to complete.

    INTERESTING FACTS · SOURCED

  5. #005

    Akira Kurosawa told Sidney Lumet that he chose a particular framing for a shot because moving the camera an inch to the left would reveal the Sony factory. If he moved the camera to the right, the audience would see an airport.

    INTERESTING FACTS · SOURCED

  6. #006

    Akira Kurosawa began writing the film 10 years before its release and said it was not initially intended to be based on Shakespeare's "King Lear," but that it reached that point during the writing process.

    INTERESTING FACTS · SOURCED

  7. #007

    The film used around 1,400 extras and 200 horses. 1,400 suits of armor (designed by Akira Kurosawa himself) were produced, and some of the horses had to be imported from the United States. Kurosawa used the extras and horses so efficiently that by the time the film was ready for release, newspapers in Japan reported that thousands of extras and horses had been used to stage the battles.

    INTERESTING FACTS · SOURCED

  8. #008

    The castle destroyed in the middle of the film was built specifically for the film at the foot of Mount Fuji and was later burned. No miniatures were used for this sequence, but footage of another castle burning was used at the end.

    INTERESTING FACTS · SOURCED

  9. #009

    Almost the entire film was shot in long takes, with only a handful of close-ups, such as Lady Kaede being presented with the head of a fox statue.

    INTERESTING FACTS · SOURCED

  10. #010

    As the story progresses, the sky becomes increasingly cloudy. This finally culminates after the first half with the appearance of strong winds.

    INTERESTING FACTS · SOURCED

  11. #011

    Unlike many other characters in the film, the fool Kyoami (Pītā) has no basis in historical Japan. The closest equivalent in relation to a historical Japanese warlord might be a page, though the responsibilities would be quite different. Rather, Kyoami is based on the fool or jester of medieval Europe and, of course, on the Fool in William Shakespeare's "King Lear."

    INTERESTING FACTS · SOURCED

  12. #012

    The story was inspired by samurai legends but is also a retelling of William Shakespeare's play "King Lear."

    INTERESTING FACTS · SOURCED

  13. #013

    Kurosawa relied on Ishirō Honda's advice for the battle scenes. Because of Honda's military experience, he coordinated the formations.

    INTERESTING FACTS · SOURCED

  14. #014

    The role of Lord Hidetora was said to have been written with Toshiro Mifune in mind, but this did not happen because relations between Kurosawa and Mifune were bad during production.

    INTERESTING FACTS · SOURCED

  15. #015

    A scene requiring an entire field to be covered in gold was shot but left out of the final film during editing.

    INTERESTING FACTS · SOURCED

  16. #016

    It is Akira Kurosawa's last film dealing with Chanbara, the samurai cinema genre.

    INTERESTING FACTS · SOURCED

  17. #017

    Accordingly, the Japanese name "Saburo" literally means "third son".

    INTERESTING FACTS · SOURCED

  18. #018

    In 2015, the film was re-released at the Cannes Film Festival in a 4K restored version for its 30th anniversary. Limited screenings followed in major cities from early to mid-2016.

    INTERESTING FACTS · SOURCED

  19. #019

    Kurosawa initially wanted the London Symphony Orchestra to perform the score, but after meeting conductor Hiroyuki Iwaki of the Sapporo Symphony Orchestra, he commissioned Iwaki and the orchestra to record it.

    INTERESTING FACTS · SOURCED

  20. #020

    Criterion was set to release the film on Blu-ray in Region 1 territories, which would have made it the first Akira Kurosawa film released on Blu-ray in America. However, Criterion lost the rights to the film at the last minute and could not release it, and all previously released DVD editions of the film went out of print. As a result, Criterion's release of Kagemusha: The Shadow Warrior (1980) became the first Kurosawa film released in the US. Ran has since been released in America as part of the Studio Canal Collection, distributed by Lionsgate.

    INTERESTING FACTS · SOURCED

  21. #021

    It was a Japanese-French venture produced by Herald Ace, Nippon Herald Films and Greenwich Film Productions.

    INTERESTING FACTS · SOURCED

  22. #022

    It is one of the few films directed by Akira Kurosawa with an English dub.

    INTERESTING FACTS · SOURCED

  23. #023

    The role of the Fool was played by Peter, a well-known Japanese drag performer.

    INTERESTING FACTS · SOURCED

  24. #024

    It ranked 79th in a 2018 critics' poll conducted by the BBC of films not in the English language.

    INTERESTING FACTS · SOURCED

  25. #025

    The film is part of spine number 316 of the Criterion Collection.

    INTERESTING FACTS · SOURCED

  26. #026

    The film is included in Roger Ebert's "Great Movies" list.

    INTERESTING FACTS · SOURCED

Production Story (66)

  1. #027

    In the mid '60s, Peter O'Toole had tried to persuade Akira Kurosawa to film " King Lear." 20 years later, "Ran" would be Kurosawa's next and last Shakespearean adaptation.

    PRODUCTION STORY · SOURCED

  2. #028

    Akira Kurosawa began writing the film 10 years before its release and said that it wasn't originally meant to be based on Shakespeare's "King Lear" but came to that during the writing process.

    PRODUCTION STORY · SOURCED

  3. #029

    When Akira Kurosawa was asked what his favourite of his films was, he'd always reply, simply, "The next one." That was until he made this, which became the answer to that question for the rest of his life.

    PRODUCTION STORY · SOURCED

  4. #030

    Kurosawa originally had wanted the London Symphony Orchestra to perform the score, but upon meeting conductor Hiroyuki Iwaki of the Sapporo Symphony Orchestra, he engaged Iwaki and the orchestra to record it.

    PRODUCTION STORY · SOURCED

  5. #031

    Akira Kurosawa referred to his previous film, Kagemusha: The Shadow Warrior (1980), as a "dress rehearsal" for this film. He spent ten years storyboarding every shot in the film as paintings. The resulting collection of images was published with the screenplay.

    PRODUCTION STORY · SOURCED

  6. #032

    "Ran," generally translated from the Japanese, means "chaos" or "revolt."

    PRODUCTION STORY · SOURCED

  7. #033

    Criterion was set to release the film on Blu-ray in Region 1 territories, which would have made this the first Akira Kurosawa film released on Blu-ray in America. But Criterion lost the rights to the film at the last minute and was unable to release it, and all of their earlier releases of the film on DVD were out of print. As a result, Criterion's release of Kagemusha: The Shadow Warrior (1980) became the first Kurosawa film released in the USA. However, Ran has since been released in America as a part of the Studio Canal Collection, distributed by Lionsgate.

    PRODUCTION STORY · SOURCED

  8. #034

    The film was re-released in 2015 for its 30th anniversary in a 4K restored version at the Cannes Film Festival. Limited screenings took place from early to mid-2016 in major cities.

    PRODUCTION STORY · SOURCED

  9. #035

    This was a Japanese-French venture produced by Herald Ace, Nippon Herald Films, and Greenwich Film Productions.

    PRODUCTION STORY · SOURCED

  10. #036

    Despite his reputation as one of, if not, Japan's greatest directors, Akira Kurosawa struggled to get the funding he needed to complete Ran to his liking as the script was considered "too Western" by Japanese investors, prompting him to seek out American producers who revered him to get Ran funded years later.

    PRODUCTION STORY · SOURCED

  11. #037

    The story was inspired by samurai legends, but is also essentially a retelling of William Shakespeare's "King Lear."

    PRODUCTION STORY · SOURCED

  12. #038

    One of the few films directed by Akira Kurosawa to be dubbed in English.

    PRODUCTION STORY · SOURCED

  13. #039

    The role of Lord Hidetora was supposedly written with Toshiro Mifune in mind, but this didn't happen because at the time of production Kurosawa and Mifune were on bad terms.

    PRODUCTION STORY · SOURCED

  14. #040

    Despite his reputation as one of Japan's greatest directors, Akira Kurosawa struggled to find the financing he needed to complete Ran to his own satisfaction, because Japanese investors considered the script "too Western", which led him, years later, to approach American producers who respected him to finance Ran.

    PRODUCTION STORY · SOURCED

  15. #041

    Akira Kurosawa described his previous film, Kagemusha: The Shadow Warrior (1980), as a 'rehearsal' for this film. Over ten years, he turned every frame of the film into storyboards as paintings. The resulting visual collection was published as a book along with the screenplay.

    PRODUCTION STORY · SOURCED

  16. #042

    Kurosawa began writing the film ten years before its release and said he did not initially plan for it to be based on Shakespeare's 'King Lear,' but that it evolved to that point during the writing process.

    PRODUCTION STORY · SOURCED

  17. #043

    When asked what his favorite film was, Kurosawa always answered 'The next one.' That is, until he made Ran; this film remained the answer to that question for the rest of his life.

    PRODUCTION STORY · SOURCED

  18. #044

    The legendary director Akira Kurosawa earned his only Best Director Oscar nomination with this film.

    PRODUCTION STORY · SOURCED

  19. #045

    Although the story draws inspiration from samurai legends, it is essentially an adaptation of William Shakespeare's play 'King Lear.'

    PRODUCTION STORY · SOURCED

  20. #046

    In the mid-1960s, Peter O'Toole had tried to persuade Kurosawa to film 'King Lear.' Twenty years later, Ran would be Kurosawa's next and final Shakespeare adaptation.

    PRODUCTION STORY · SOURCED

  21. #047

    This film is Akira Kurosawa's last film in the chanbara genre of samurai cinema.

    PRODUCTION STORY · SOURCED

  22. #048

    The film was re-screened at the 2015 Cannes Film Festival in a 4K restored version in honor of its 30th anniversary. Limited screenings were held in major cities from early to mid-2016.

    PRODUCTION STORY · SOURCED

  23. #049

    The film's Oscar nominations faced great difficulty and controversy due to Kurosawa's tense relationship with the Japanese film industry at the time. It is widely believed that Ran was deliberately snubbed in the Best Foreign Language Film and Best Picture categories at the 58th Academy Awards. The film was completed too late to make that year's Cannes Film Festival and premiered at Japan's first Tokyo International Film Festival. Kurosawa's absence from the premiere caused a backlash in the Japanese film industry. This controversy led to the film not being submitted as Japan's entry in the Best Foreign Language Film category at the Oscars. Producer Serge Silberman tried to nominate Ran as a French co-production but was unsuccessful because the film was entirely in Japanese and contained no French dialogue. Despite all this, American director Sidney Lumet, a fan of the film and of Kurosawa, ran an aggressive campaign for Kurosawa to be nominated in the Best Director category, and ultimately succeeded. Kurosawa lost the award to Sydney Pollack for Out of Africa (1985), but at the 62nd Academy Awards in 1990, he received an Honorary Oscar for his lifetime contributions to the film industry and as a consolation for his loss to Pollack.

    PRODUCTION STORY · SOURCED

  24. #050

    Despite his reputation as one of Japan's greatest directors, Kurosawa struggled to find the funding needed to complete Ran as he wanted. Because Japanese investors found the screenplay 'too Western,' he turned to American producers who admired him years later to finance the film.

    PRODUCTION STORY · SOURCED

  25. #051

    That year, it was the only film nominated for Best Director at the Oscars that was not also nominated for Best Picture.

    PRODUCTION STORY · SOURCED

  26. #052

    This production was a Japanese-French joint venture by Herald Ace, Nippon Herald Films and Greenwich Film Productions.

    PRODUCTION STORY · SOURCED

  27. #053

    Criterion was preparing to release the film on Blu-ray in Region 1; this would have been the first Akira Kurosawa film released on Blu-ray in America. However, Criterion lost the rights to the film at the last moment and could not release it; its previous DVD editions also went out of print. As a result, Kagemusha: The Shadow Warrior (1980) became the first Kurosawa film released by Criterion in the US. Ran, on the other hand, was later released in America under the Studio Canal Collection with Lionsgate distribution.

    PRODUCTION STORY · SOURCED

  28. #054

    It is one of the rare Akira Kurosawa films to have an English dub.

    PRODUCTION STORY · SOURCED

  29. #055

    In the BBC's 2018 poll of critics, it ranked 79th among non-English-language films.

    PRODUCTION STORY · SOURCED

  30. #056

    This film constitutes spine number 316 of the Criterion Collection.

    PRODUCTION STORY · SOURCED

  31. #057

    The film is included in Roger Ebert's 'Great Movies' list.

    PRODUCTION STORY · SOURCED

  32. #058

    This film was Jun Tazaki's last film.

    PRODUCTION STORY · SOURCED

  33. #059

    It is included among the '1001 Movies You Must See Before You Die,' edited by Steven Schneider.

    PRODUCTION STORY · SOURCED

  34. #060

    This film is on Letterboxd's Official Top 500 Narrative Films list.

    PRODUCTION STORY · SOURCED

  35. #061

    Akira Kurosawa's wife of 39 years, Yôko Yaguchi, died during the production of this film. Kurosawa took only one day off to mourn before returning to work.

    PRODUCTION STORY · SOURCED

  36. #062

    Explaining to Sidney Lumet why he framed a scene the way he did, Kurosawa said that if he moved the camera one centimeter to the left, the Sony factory would come into view, and if he moved it to the right, an airport would.

    PRODUCTION STORY · SOURCED

  37. #063

    The castle destroyed in the middle of the film was built specially at the foot of Mount Fuji and genuinely burned down. No miniatures were used for this sequence; miniature footage was used only for the burning of another castle at the end.

    PRODUCTION STORY · SOURCED

  38. #064

    Kurosawa sought Ishirō Honda's advice for the battle scenes. Thanks to his military experience, Honda coordinated the formations of the troops.

    PRODUCTION STORY · SOURCED

  39. #065

    A scene requiring a field to be painted entirely gold was shot, but it was cut from the film during editing.

    PRODUCTION STORY · SOURCED

  40. #066

    Cinematographer Asakazu Nakai, nominated for an Oscar at the age of 84, became the oldest nominee in that category. The previous record belonged to Charlie Chaplin, who was nominated for Best Music at 83 for Limelight (1952). Nakai held the title for more than a decade; he was later surpassed by Gloria Stuart, who was nominated at 87 for Titanic (1997). Nakai still holds the record for the oldest nominee in the Best Cinematography category.

    PRODUCTION STORY · SOURCED

  41. #067

    Kurosawa originally wanted the score recorded by the London Symphony Orchestra. However, after meeting Hiroyuki Iwaki, conductor of the Sapporo Symphony Orchestra, he decided to record it with him and his orchestra.

    PRODUCTION STORY · SOURCED

  42. #068

    Unlike the other characters in the film, the fool Kyoami (Pîtâ) has no counterpart in historical Japan. The closest figure in the service of a Japanese warlord might be a servant, but his duties were quite different. Kyoami was inspired more by European medieval court jesters and by the Fool in Shakespeare's King Lear.

    PRODUCTION STORY · SOURCED

  43. #069

    Because actor Tatsuya Nakadai was decades younger than Hidetora, the character he plays, he took on the role with a full facial makeup that took about four hours to apply.

    PRODUCTION STORY · SOURCED

  44. #070

    Tatsuya Nakadai's performance has been a subject of debate among some critics and sources; in the past he drew criticism for imitating Toshiro Mifune's acting in Kurosawa's earlier films. In an interview, Nakadai even said that he pretended Mifune was playing Hidetora.

    PRODUCTION STORY · SOURCED

  45. #071

    The role of Lord Hidetora is said to have been written with Toshiro Mifune in mind, but this did not come to pass because Kurosawa and Mifune were estranged during production.

    PRODUCTION STORY · SOURCED

  46. #072

    The fool was played by Peter, a well-known travesti performer in Japan.

    PRODUCTION STORY · SOURCED

  47. #073

    Veteran character actor Susumu Terajima had his first feature film experience in an uncredited role as an infantry soldier.

    PRODUCTION STORY · SOURCED

  48. #074

    Akira Kurosawa described his previous film, Kagemusha: The Shadow Warrior (1980), as a 'rehearsal' for this film. Over ten years he turned every frame of the film into storyboards as paintings. The resulting visual collection was published as a book together with the screenplay.

    PRODUCTION STORY · SOURCED

  49. #075

    Kurosawa began writing the film ten years before its release and said he did not initially plan for it to be based on Shakespeare's 'King Lear', but that it evolved into that during the writing process.

    PRODUCTION STORY · SOURCED

  50. #076

    When asked what his favorite film was, Kurosawa always answered 'The next one.' That was true until he made Ran; for the rest of his life, this film was the answer to that question.

    PRODUCTION STORY · SOURCED

  51. #077

    Legendary director Akira Kurosawa earned his only Best Director Oscar nomination with this film.

    PRODUCTION STORY · SOURCED

  52. #078

    Although the story draws on samurai legends, it is at its core an adaptation of William Shakespeare's play 'King Lear'.

    PRODUCTION STORY · SOURCED

  53. #079

    In the mid-1960s, Peter O'Toole had tried to persuade Kurosawa to film 'King Lear'. Twenty years later, Ran would be Kurosawa's next and final Shakespeare adaptation.

    PRODUCTION STORY · SOURCED

  54. #080

    This film is Akira Kurosawa's last film in the chanbara, or samurai cinema, genre.

    PRODUCTION STORY · SOURCED

  55. #081

    To mark its 30th anniversary, the film was screened again at the 2015 Cannes Film Festival in a 4K restored version. Limited screenings were held in major cities from early to mid-2016.

    PRODUCTION STORY · SOURCED

  56. #082

    The film's Oscar nominations were met with great difficulty and controversy due to Kurosawa's strained relationship with the Japanese film industry at the time. It is widely believed that Ran was deliberately snubbed in the Best Foreign Language Film and Best Picture categories at the 58th Academy Awards. The film was completed too late to make that year's Cannes Film Festival and premiered at Japan's first Tokyo International Film Festival. Kurosawa's absence from the premiere caused a backlash in the Japanese film industry. This controversy led to the film not being submitted as Japan's entry in the Best Foreign Language Film category at the Oscars. Producer Serge Silberman tried to nominate Ran as a French co-production, but failed because the film was entirely in Japanese and contained no French dialogue. Despite all this, American director Sidney Lumet, a fan of the film and of Kurosawa, mounted an aggressive campaign to get Kurosawa nominated for Best Director, and ultimately succeeded. Kurosawa lost the award to Sydney Pollack for Out of Africa (1985), but at the 62nd Academy Awards in 1990 he received an Honorary Oscar for his lifetime contributions to the film industry, a consolation for his defeat by Pollack.

    PRODUCTION STORY · SOURCED

  57. #083

    Despite his reputation as one of Japan's greatest directors, Kurosawa struggled to find the funding needed to complete Ran as he wanted. Because Japanese investors found the script 'too Western', he turned to American producers who admired him years later to finance the film.

    PRODUCTION STORY · SOURCED

  58. #084

    It was the only film that year to be nominated for an Oscar for Best Director without being nominated for Best Picture.

    PRODUCTION STORY · SOURCED

  59. #085

    The production was a Japanese-French joint venture by Herald Ace, Nippon Herald Films and Greenwich Film Productions.

    PRODUCTION STORY · SOURCED

  60. #086

    Criterion was preparing to release the film on Blu-ray in Region 1; this would have been the first Akira Kurosawa film released on Blu-ray in America. However, Criterion lost the rights to the film at the last moment and could not release it; its earlier DVD editions also went out of print. As a result, Kagemusha: The Shadow Warrior (1980) became the first Kurosawa film released by Criterion in the US. Ran was later released in America under the Studio Canal Collection with Lionsgate distribution.

    PRODUCTION STORY · SOURCED

  61. #087

    The film constitutes spine number 316 of the Criterion Collection.

    PRODUCTION STORY · SOURCED

  62. #088

    It is included among the '1001 Movies You Must See Before You Die', edited by Steven Schneider.

    PRODUCTION STORY · SOURCED

  63. #089

    The film is included in Letterboxd's Official Top 500 Narrative Films list.

    PRODUCTION STORY · SOURCED

  64. #090

    In Japanese, the word "Ran" is usually translated as "chaos" or "rebellion"; this meaning reflects a turmoil that runs through the film's essence.

    PRODUCTION STORY · SOURCED

  65. #091

    As the story progresses, the sky grows increasingly cloudy and, after the first half, peaks with violent winds, heralding the coming storm.

    PRODUCTION STORY · SOURCED

  66. #092

    In Japanese, the name "Saburo" literally means "third son", fitting the character's position exactly.

    PRODUCTION STORY · SOURCED

Behind the Scenes (19)

  1. #093

    A scene that required an entire field to be sprayed gold was filmed but left out of the final film during editing.

    BEHIND THE SCENES · SOURCED

  2. #094

    Because actor Tatsuya Nakadai was decades younger than Hidetora, he wore full-face makeup that took about four hours to apply.

    BEHIND THE SCENES · SOURCED

  3. #095

    Several hundred costumes were all created by hand, a process taking two years to complete.

    BEHIND THE SCENES · SOURCED

  4. #096

    Akira Kurosawa's eyesight had deteriorated almost completely by the time principal photography began. He could only frame shots with the help of assistants, who used his storyboard paintings as guidelines.

    BEHIND THE SCENES · SOURCED

  5. #097

    Kurosawa relied on advice from Ishirō Honda for the battle sequences. Due to Honda's experience as a soldier, he coordinated the formations.

    BEHIND THE SCENES · SOURCED

  6. #098

    The film used approximately 1400 extras and 200 horses. 1400 suits of armor (designed by Akira Kurosawa himself) were fabricated and a number of the horses had to be imported from the United States. Kurosawa used the extras and horses so efficiently that when the film was ready for premiere, newspapers in Japan were reporting that thousands of extras and horses were used to stage the battles.

    BEHIND THE SCENES · SOURCED

  7. #099

    Akira Kurosawa told Sidney Lumet he chose to frame a shot because if he moved the camera an inch to the left, the Sony factory would be seen. If he moved the camera to the right, the audience would see an airport.

    BEHIND THE SCENES · SOURCED

  8. #100

    Akira Kurosawa's wife of 39 years, Yôko Yaguchi, died during the production of this film. Kurosawa took only a single day off to mourn before returning to work.

    BEHIND THE SCENES · SOURCED

  9. #101

    All of the hundreds of costumes used in the film were handmade, a process that took a full two years.

    BEHIND THE SCENES · SOURCED

  10. #102

    By the time principal photography began, Akira Kurosawa had lost almost all of his sight. He was able to shoot the scenes because his assistants framed them using his storyboard drawings as a guide.

    BEHIND THE SCENES · SOURCED

  11. #103

    Explaining to Sidney Lumet why he framed a scene the way he did, Kurosawa said that if he moved the camera one centimeter to the left, the Sony factory would be visible, and if he moved it to the right, an airport would appear.

    BEHIND THE SCENES · SOURCED

  12. #104

    Roughly 1,400 extras and 200 horses were used in the film. Some 1,400 suits of armor, designed by Kurosawa himself, were produced, and some of the horses were imported from the United States. Kurosawa used the extras and horses so efficiently that when the film was ready for release, Japanese newspapers reported that thousands of extras and horses had been used in the battle scenes.

    BEHIND THE SCENES · SOURCED

  13. #105

    The castle that is destroyed in the middle of the film was built specially at the foot of Mount Fuji and was actually burned down. No miniatures were used for this sequence; miniature footage was employed only for the burning of another castle at the end.

    BEHIND THE SCENES · SOURCED

  14. #106

    The film was shot almost entirely in wide shots; there are only a few close-ups, such as the moment the fox statue is presented to Lady Kaede.

    BEHIND THE SCENES · SOURCED

  15. #107

    Kurosawa sought Ishirō Honda's advice for the battle scenes. Drawing on his military experience, Honda coordinated the formations of the troops.

    BEHIND THE SCENES · SOURCED

  16. #108

    A scene requiring an entire field to be painted gold was shot, but it was cut from the film during editing.

    BEHIND THE SCENES · SOURCED

  17. #109

    Akira Kurosawa was 75 years old when he directed this film.

    BEHIND THE SCENES · SOURCED

  18. #110

    Cinematographer Asakazu Nakai became the oldest Oscar nominee in his field when he was nominated at the age of 84. The previous record belonged to Charlie Chaplin, who was nominated for Best Music at 83 for Limelight (1952). Nakai held that title for more than a decade; he was later surpassed by Gloria Stuart, who was nominated at 87 for Titanic (1997). Nakai still holds the record as the oldest nominee in the Best Cinematography category.

    BEHIND THE SCENES · SOURCED

  19. #111

    Kurosawa had originally wanted to record the film's score with the London Symphony Orchestra. However, after meeting Hiroyuki Iwaki, conductor of the Sapporo Symphony Orchestra, he decided to make the recording with him and his orchestra.

    BEHIND THE SCENES · SOURCED

Characters & Cast (11)

  1. #112

    It has been a source of debate among sources and critics, but Tatsuya Nakadai's performance has been criticized in the past as merely reproducing Toshiro Mifune's acting in other previous Kurosawa's films; Nakadai himself even said in an interview that he was playing Mifune playing Hidetora.

    CHARACTERS & CAST · SOURCED

  2. #113

    Unlike most other characters in the film, the character of the fool, Kyoami (Pītā), has no basis in historic Japan. The most similar position in relation to a historic Japanese warlord would be a page, but would be quite different in responsibilities. Rather, Kyoami is based on the fool or jester of European medieval times and, of course, William Shakespeare's character of the Fool from "King Lear."

    CHARACTERS & CAST · SOURCED

  3. #114

    Making his feature film debut is noted character actor Susumu Terajima, uncredited as a foot soldier.

    CHARACTERS & CAST · SOURCED

  4. #115

    The role of The Fool was played by Peter, a well-known Japanese transvestite.

    CHARACTERS & CAST · SOURCED

  5. #116

    This was Jun Tazaki's final film.

    CHARACTERS & CAST · SOURCED

  6. #117

    Unlike the other characters in the film, the fool Kyoami (Pîtâ) has no counterpart in historical Japan. The closest figure in the service of a Japanese feudal lord might be a servant, but his duties are quite different. Kyoami is inspired more by European medieval jesters and by the Fool in Shakespeare's King Lear.

    CHARACTERS & CAST · SOURCED

  7. #118

    Because the actor Tatsuya Nakadai was decades younger than Hidetora, the character he plays, he took on the role with a full face of makeup that took about four hours to apply.

    CHARACTERS & CAST · SOURCED

  8. #119

    Tatsuya Nakadai's performance has been a subject of debate among some critics and sources; in the past, he drew criticism for imitating Toshiro Mifune's acting in Kurosawa's earlier films. In an interview, Nakadai even said that he pretended as if Mifune were playing Hidetora.

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  9. #120

    It is said that the role of Lord Hidetora was actually written with Toshiro Mifune in mind, but this did not happen because Kurosawa and Mifune were estranged during production.

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  10. #121

    The fool was played by Peter, a well-known travesti in Japan.

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  11. #122

    The master character actor Susumu Terajima had his first feature-film experience in a role as an infantry soldier whose name does not appear in the credits.

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Easter Eggs & References (1)

  1. #123

    Appropriately, the name "Saburo" in Japanese literally means "third son".

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Deeper Meaning (5)

  1. #124

    The sky gradually becomes more and more cloudy as the plot progresses. It finally culminates after the first half, when heavy gusts of wind appear.

    DEEPER MEANING · SOURCED

  2. #125

    It became a source of debate among sources and critics, but Tatsuya Nakadai's performance was criticized in the past merely for reproducing Toshiro Mifune's acting in Kurosawa's other earlier films; Nakadai even said in an interview that he was portraying Mifune playing Hidetora.

    DEEPER MEANING · SOURCED

  3. #126

    In Japanese, the word "Ran" is usually translated as "chaos" or "rebellion"; this meaning reflects a disorder that runs through the film's essence.

    DEEPER MEANING · SOURCED

  4. #127

    As the story progresses, the sky grows increasingly cloudy and, after the first half, reaches its peak with violent winds; this heralds the coming storm.

    DEEPER MEANING · SOURCED

  5. #128

    In Japanese, the name "Saburo" literally means "third son," fitting the character's position exactly.

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Career & Awards (13)

  1. #129

    This film earned legendary director Akira Kurosawa his only Best Director Oscar nomination.

    CAREER & AWARDS · SOURCED

  2. #130

    Included among the "1001 Movies You Must See Before You Die," edited by Steven Schneider.

    CAREER & AWARDS · SOURCED

  3. #131

    The film faced a lot of difficulty and controversy securing its Oscar nominations due to Akira Kurosawa's difficult relationship with the Japanese film industry at that period, leading to the commonly accepted theory that Ran was intentionally snubbed for Best Foreign Language Film and Best Picture at the 58th Academy Awards. The film was completed too late to be entered at Cannes Film Festival that year and instead had its premiere at Japan's first Tokyo International Film Festival. Kurosawa notoriously skipped the film's premiere, angering those involved in the Japanese film industry. The controversy from this action led to the film not being submitted as Japan's entry for the Best Foreign Language Film category at the Oscars. Producer Serge Silberman instead tried to get Ran nominated as a French co-production but failed, as the film is entirely in Japanese and has no French dialogue, therefore it didn't qualify as a French selection. Despite all of this, American director Sidney Lumet, a fan of this film and Kurosawa, helped organize an aggressive campaign to have Kurosawa nominated for Best Director, which ultimately succeeded. Kurosawa lost to Sydney Pollack for Out of Africa (1985), but eventually received an Honorary Oscar at the 62nd Academy Awards in 1990 for his lifetime contributions to the film industry and as a consolation for his loss to Pollack.

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  4. #132

    The film is included on Roger Ebert's "Great Movies" list.

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  5. #133

    The only film that year to be Oscar nominated for Best Director, but not Best Picture.

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  6. #134

    The last movie of Akira Kurosawa related to chanbara, the samurai cinema.

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  7. #135

    Director Akira Kurosawa was 75 years old when he directed the film.

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  8. #136

    For this film, cinematographer Asakazu Nakai became the oldest person ever nominated for an Oscar, at age 84. The previous record holder was Sir Charles Chaplin, who was 83 when he was nominated for (and won) Best Score for Limelight (1952), 20 years late, since it was not released in the United States until 1972. Nakai held the record for oldest nominee for over a decade until surpassed by Gloria Stuart, who was 87 when she was nominated for Best Supporting Actress for Titanic (1997). To this day, Nakai holds the record as the oldest person nominated for Best Cinematography, surpassing Ernest Laszlo, who was nominated for Logan's Run (1976) at age 78.

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  9. #137

    This film is part of the Criterion Collection, spine #316.

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  10. #138

    This film is in the Official Top 500 Narrative Feature Films on Letterboxd.

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  11. #139

    Ranked number 79 non-English-speaking film in the critics' poll conducted by the BBC in 2018.

    CAREER & AWARDS · SOURCED

  12. #140

    The film faced many difficulties and controversies while securing its Oscar nomination, owing to Akira Kurosawa's difficult relationship with the Japanese film industry at the time; this led to the widely held theory that Ran was deliberately snubbed in the Best Foreign Language Film and Best Picture categories at the 58th Academy Awards. The film was completed too late to take part in the Cannes Film Festival that year, and instead premiered at Japan's first Tokyo International Film Festival. Kurosawa's skipping of the film's premiere notoriously angered those in the Japanese film industry. The controversy resulting from this action led to the film not being submitted as Japan's entry in the Best Foreign Language Film category at the Oscars. Producer Serge Silberman instead tried to submit Ran as a French co-production, but failed because the film was entirely in Japanese and contained no French dialogue, so it could not qualify as the French selection. Despite all this, American director Sidney Lumet, a fan of the film and of Kurosawa, helped organize an aggressive campaign for Kurosawa's nomination for Best Director, which ultimately succeeded. Kurosawa lost to Sydney Pollack for Out of Africa (1985), but he eventually received an Honorary Oscar at the 62nd Academy Awards in 1990 for his lifetime contributions to the film industry and as consolation for his loss to Pollack.

    CAREER & AWARDS · SOURCED

  13. #141

    It is the only film that year nominated for Best Director at the Oscars but not for Best Picture.

    CAREER & AWARDS · SOURCED

Life & Family (1)

  1. #142

    Akira Kurosawa's wife of 39 years, Yôko Yaguchi, died during the production of this film. Kurosawa halted filming for just one day to mourn before resuming work on the picture.

    LIFE & FAMILY · SOURCED

Sources & editorial notes

Reference databases

  • Wikipedia English Wikipedia article
  • IMDb IMDb title page (trivia)

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