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The Lady Vanishes

FILM · 1938 · UK

The Lady Vanishes

Directed by
Alfred Hitchcock
Runtime
96 min
Studio
Gainsborough Pictures

91 archived facts 6 topics 1 source Last reviewed Nov 2026

On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair…

  • The Lady Vanishes — production image

91 Interesting Facts About The Lady Vanishes

Interesting Facts (17)

  1. #001

    To avoid political controversy, the British Board of Film Censors did not allow the foreign villains to be specifically identified as German in the script.

    INTERESTING FACTS · SOURCED

  2. #002

    The cricket-obsessed characters Charters and Caldicott were created specifically for this film and do not appear in the novel written by Ethel Lina White.

    INTERESTING FACTS · SOURCED

  3. #003

    In an interview with Peter Bogdanovich, Alfred Hitchcock explained that the film was inspired by the legend of an Englishwoman travelling to a hotel in Paris with her daughter during the Great Exhibition in the 1880s: "The woman became ill and the daughter was sent in a horse-drawn cab to the other end of Paris to get medicine, so the errand took about four hours. When she returned, she asked, 'How is my mother?' 'Which mother?' 'My mother. She's here, in her room. Room 22.' They go up there. Different room, different wallpaper, everything. And the payoff of the whole story, according to the legend, is this: the woman had bubonic plague and they didn't dare tell anyone she had died, otherwise all of Paris would have fled." The urban legend known as the Vanishing Hotel Room also formed the basis of the German portmanteau film Eerie Tales (1919), So Long at the Fair (1950), in which the missing person is the young woman's brother rather than her mother, and an episode of Into Thin Air (1955) starring Hitchcock's daughter Patricia Hitchcock.

    INTERESTING FACTS · SOURCED

  4. #004

    François Truffaut named the film his favourite among Alfred Hitchcock's films, and said that whenever he tried to study the film's trick shots and camera movements, he became too caught up in the plot to notice them.

    INTERESTING FACTS · SOURCED

  5. #005

    The production used a main train set only 25 metres long, in one of the smaller stages at Islington Studios.

    INTERESTING FACTS · SOURCED

  6. #006

    The guitarist was strangled by disembodied hands as he played beneath Miss Froy's hotel window, because he was passing on the details of the secret agreement to her in the form of a coded folk song.

    INTERESTING FACTS · SOURCED

  7. #007

    Orson Welles was reported to have watched the film eleven times.

    INTERESTING FACTS · SOURCED

  8. #008

    Michael Redgrave was a stage actor and was reluctant to make the film, but was persuaded to do it by John Gielgud.

    INTERESTING FACTS · SOURCED

  9. #009

    It was shot almost entirely at Islington Studios in London. The landscape the train passes through is entirely rear projection.

    INTERESTING FACTS · SOURCED

  10. #010

    The film was Michael Redgrave's first feature film, in the role of Gilbert Redman.

    INTERESTING FACTS · SOURCED

  11. #011

    The original copyright holder's failure to renew the copyright placed the film in the public domain and allowed almost anyone to duplicate and sell VHS or DVD copies; as a result, many versions on the market are severely and often badly edited or of extremely low quality, copied from second-generation, third-generation or later copies. As of November 2018, the Criterion Collection offers the film in a restored Blu-ray release.

    INTERESTING FACTS · SOURCED

  12. #012

    According to assistant director Roy Ward Baker, Sir Alfred Hitchcock was thoroughly organised in relation to every stage of the shoot. Hitchcock was also seen to treat his production crew with respect.

    INTERESTING FACTS · SOURCED

  13. #013

    Filming was briefly interrupted because of a strike by electricians.

    INTERESTING FACTS · SOURCED

  14. #014

    Magnums of Champagne are 1.5-litre bottles equal to 2 standard Champagne bottles and serve about 12 people. Champagne matures better and more slowly in a magnum.

    INTERESTING FACTS · SOURCED

  15. #015

    With Googie Withers's (Blanche) death in 2011, all of the credited cast members had died.

    INTERESTING FACTS · SOURCED

  16. #016

    A brief shot of a ferry bringing Iris and Gilbert back to England from the European mainland across the English Channel also appears as the Irish Sea ferry in Will Hay's film Oh, Mr. Porter! (1937).

    INTERESTING FACTS · SOURCED

  17. #017

    Like many of Alfred Hitchcock's British-period films, the film was not released in Italian cinemas. Its Italian-dubbed version was broadcast on Italian television only in 1978.

    INTERESTING FACTS · SOURCED

Production Story (36)

  1. #018

    The British Board of Film Censors did not allow the foreign villains in the script to be explicitly identified as German, in order to avoid political controversy.

    PRODUCTION STORY · SOURCED

  2. #019

    The cricket-obsessed characters Charters and Caldicott were created specifically for this film; they do not appear in Ethel Lina White's novel.

    PRODUCTION STORY · SOURCED

  3. #020

    In an interview with Peter Bogdanovich, Alfred Hitchcock said the film was inspired by the legend of an Englishwoman who traveled to the Palace Hotel in Paris with her daughter during the Great Exhibition of the 1880s and disappeared: The woman falls ill, and her daughter sets out on a four-hour journey by horse-drawn carriage to get medicine; when she returns, she asks for her mother, but the hotel staff say they do not know such a person. When they go up to the room, they find everything different. According to the legend, the woman had caught bubonic plague and her death was concealed, otherwise all of Paris would have fled. Known as the 'Vanishing Hotel Room,' this urban legend also inspired films such as the German production Eerie Tales (1919), So Long at the Fair (1950) and Into Thin Air (1955), which starred Hitchcock's daughter Patricia.

    PRODUCTION STORY · SOURCED

  4. #021

    After the success of this film, Margaret Lockwood and Michael Redgrave were to appear together in a series of projects for Gaumont-British-Dominions, including adaptations of 'The Blue Lagoon,' 'Rob Roy' and 'A Room with a View.' However, none of these films were made; the pair later reunited on The Stars Look Down (1940).

    PRODUCTION STORY · SOURCED

  5. #022

    Because the original copyright holder did not renew it, the film fell into the public domain, which allowed almost anyone to duplicate and sell VHS or DVD copies of it. As a result, many versions on the market are either heavily (and often badly) edited or of extremely low quality because they were copied from second- or third-generation copies. As of November 2018, the film is available as a Criterion Collection Blu-ray.

    PRODUCTION STORY · SOURCED

  6. #023

    Like many of Alfred Hitchcock's British-period films, this production was not released in Italian cinemas; its Italian-dubbed version was not broadcast on television until 1978.

    PRODUCTION STORY · SOURCED

  7. #024

    It is one of the films that make up spine number 3 of the Criterion Collection.

    PRODUCTION STORY · SOURCED

  8. #025

    The earliest documented television broadcast of the film was made by WNBT (Channel 1) in New York on December 18, 1944. In Los Angeles, post-World War II television viewers saw the film for the first time on KTSL (Channel 5) on July 2, 1949.

    PRODUCTION STORY · SOURCED

  9. #026

    The figure seen at the end of the film at Victoria Station, wearing a black coat and smoking, is a striking detail that completes the story's mysterious atmosphere.

    PRODUCTION STORY · SOURCED

  10. #027

    Alfred Hitchcock insisted that music be used only at the beginning and end of the film to create a realistic effect. Apart from these two points, the only music heard is the song sung by the musician outside the hotel, Miss Froy's melody, the 'Colonel Bogey March' hummed by Gilbert, the dance music he conducts in the hotel room, and the dance tune playing when they meet Iris on the train.

    PRODUCTION STORY · SOURCED

  11. #028

    The set on which the film was shot was only 90 feet (about 27.4 meters) long, and this narrow space allowed the director to create the illusion of a large space with creative camera angles.

    PRODUCTION STORY · SOURCED

  12. #029

    The film was shot almost entirely at Islington Studios in London, and all the landscapes the train passes through were created using the rear projection technique.

    PRODUCTION STORY · SOURCED

  13. #030

    Filming had to stop briefly due to a strike started by the electricians.

    PRODUCTION STORY · SOURCED

  14. #031

    Charters and Caldicott (Basil Radford and Naunton Wayne) became such beloved characters that the pair came together in ten more films. They reappeared in productions such as Night Train to Munich (1940) and Millions Like Us (1943); the screenplays for these films were also written by Sidney Gilliat and Frank Launder. They also appeared in the BBC Radio series "Crook's Tour" and "Secret Mission 609".

    PRODUCTION STORY · SOURCED

  15. #032

    Leslie Gilliat made test shots of Michael Redgrave with and without a mustache, and years later recalled that while testing an actress for the role of Miss Froy, Alfred Hitchcock told him not to put film in the camera. Hitchcock had already secretly agreed with May Whitty for the role.

    PRODUCTION STORY · SOURCED

  16. #033

    Michael Redgrave was originally a stage actor and was not very willing to take a role in this film; however, he joined the project through John Gielgud's persuasion.

    PRODUCTION STORY · SOURCED

  17. #034

    This film is the first production in Michael Redgrave's (Gilbert) film career.

    PRODUCTION STORY · SOURCED

  18. #035

    Vivien Leigh was given a screen test for the role of Iris Henderson.

    PRODUCTION STORY · SOURCED

  19. #036

    Michael Redgrave had studied at Cambridge University, just like the character Gilbert he portrayed. Early in his career he had also taken singing lessons as a choir member; this makes Gilbert's line "I have a strong voice" more convincing.

    PRODUCTION STORY · SOURCED

  20. #037

    Catherine Lacey, who made an unforgettable screen debut in this film, would later again support Margaret Lockwood's leading role in Bad Sister (1947).

    PRODUCTION STORY · SOURCED

  21. #038

    Nova Pilbeam was mentioned for the role of Iris Henderson.

    PRODUCTION STORY · SOURCED

  22. #039

    The cricket-loving characters Charters and Caldicott were created specifically for this film; they do not appear in Ethel Lina White's novel.

    PRODUCTION STORY · SOURCED

  23. #040

    In an interview with Peter Bogdanovich, Alfred Hitchcock said the film was inspired by the legend of an Englishwoman who disappeared while visiting the Palace Hotel with her daughter during the Great Exhibition in Paris in the 1880s: The woman falls ill, her daughter takes a four-hour journey by horse-drawn carriage to get medicine; when she returns she asks for her mother, but the hotel staff say they do not know such a person. When they go up to the room, they see that everything is different. According to the legend, the woman had caught bubonic plague and her death was concealed, otherwise all of Paris would have fled. Known as the 'Vanishing Hotel Room', this urban legend also inspired films such as the German production Eerie Tales (1919), So Long at the Fair (1950) and Into Thin Air (1955), in which Hitchcock's daughter Patricia appeared.

    PRODUCTION STORY · SOURCED

  24. #041

    After the success of this film, Margaret Lockwood and Michael Redgrave were to appear together in a number of projects for Gaumont-British-Dominions, including adaptations of 'The Blue Lagoon', 'Rob Roy' and 'A Room with a View'. However, none of these films were made; the pair later came together in The Stars Look Down (1940).

    PRODUCTION STORY · SOURCED

  25. #042

    Because the original copyright holder did not renew it, the film fell into the public domain; this led to almost anyone being able to duplicate and sell VHS or DVD copies of the film. For this reason, many versions on the market are either heavily (and often badly) edited or are of extremely low quality because they were copied from second- and third-generation copies. As of November 2018, the film is available as a Criterion Collection Blu-ray.

    PRODUCTION STORY · SOURCED

  26. #043

    Like many films from Alfred Hitchcock's British period, this production was not released in Italian cinemas; its Italian-dubbed version was only broadcast on television in 1978.

    PRODUCTION STORY · SOURCED

  27. #044

    The earliest documented television broadcast of the film was made by WNBT (Channel 1) in New York on December 18, 1944. In Los Angeles, post-World War II television viewers first saw the film on KTSL (Channel 5) on July 2, 1949.

    PRODUCTION STORY · SOURCED

  28. #045

    François Truffaut said that among Alfred Hitchcock's works this film was his favourite and the one that best represented his cinema.

    PRODUCTION STORY · SOURCED

  29. #046

    In the luggage van, while Gilbert (Michael Redgrave) and Iris (Margaret Lockwood) playfully act out the roles of Sherlock Holmes and Watson, Gilbert offers Iris a Trichinopoly cigar. This cigar is an important clue in Arthur Conan Doyle's first Sherlock Holmes story, "A Study in Scarlet."

    PRODUCTION STORY · SOURCED

  30. #047

    A guitarist serenading Miss Froy beneath the hotel window is mysteriously strangled by invisible hands. We later learn that the musician is using the notes as a code to pass Miss Froy the details of a secret treaty.

    PRODUCTION STORY · SOURCED

  31. #048

    The name of the fictional country where most of the story takes place is given in the film. In her first scene, Miss Froy (May Whitty) says, "Bandrika is one of Europe's few undiscovered corners." The first two stations in the film are indicated by signs, and the third through dialogue: Zolnay, Dravka and Morsken.

    PRODUCTION STORY · SOURCED

  32. #049

    Gilbert once says he used to drive "a miniature locomotive on the Dymchurch line." The Romney, Hythe and Dymchurch Railway is a real miniature railway in the southeast of England and, as of 2026, still carries passengers with steam locomotives along its 21-kilometre line.

    PRODUCTION STORY · SOURCED

  33. #050

    Although the flustered hotel manager Boris speaks to his staff in the fictional Bandrika language, at the end of the telephone conversation in which he relays Iris's room service order for "champagne," he exclaims a Yiddish phrase, "Oy vey is mir" (woe is me).

    PRODUCTION STORY · SOURCED

  34. #051

    On the back page of the "International Herald Tribune" that Charters and Caldicott read to check the cricket score, there is a headline referring to Temple's 60-36 victory in the first basketball National Invitation Tournament championship game, played on 16 March 1938.

    PRODUCTION STORY · SOURCED

  35. #052

    A 'nun' wearing high-heeled shoes was also used as a clue to a deception in the "1921" segment of the 1957 Irish film The Rising of the Moon.

    PRODUCTION STORY · SOURCED

  36. #053

    It appears on the "1001 Movies You Must See Before You Die" list edited by Steven Schneider.

    PRODUCTION STORY · SOURCED

Behind the Scenes (9)

  1. #054

    At the end of the film, the figure seen at Victoria Station wearing a black coat and smoking a cigarette is a striking detail that completes the story's mysterious atmosphere.

    BEHIND THE SCENES · SOURCED

  2. #055

    Alfred Hitchcock insisted that music be used only at the beginning and end of the film to create a realistic effect. Apart from these two points, the only music heard is the song sung by the musician outside the hotel, Mrs. Froy's melody, the 'Colonel Bogey March' that Gilbert hums, the dance music he conducts in the hotel room, and the dance piece playing when he meets Iris on the train.

    BEHIND THE SCENES · SOURCED

  3. #056

    The set on which the film was shot was only 90 feet (about 27.4 meters) long, and this narrow space allowed the director to create the illusion of a large space through creative camera angles.

    BEHIND THE SCENES · SOURCED

  4. #057

    As in the popular European hotels of the period, the hotel manager speaks Italian, French, English and German; he also knows the language of the fictional country where the hotel is located.

    BEHIND THE SCENES · SOURCED

  5. #058

    The film was shot almost entirely at Islington Studios in London, and all of the landscapes the train passes through were created using the rear projection technique.

    BEHIND THE SCENES · SOURCED

  6. #059

    According to assistant director Roy Ward Baker, Alfred Hitchcock was extremely organized at every stage of the shoot and always treated the production crew with respect.

    BEHIND THE SCENES · SOURCED

  7. #060

    Filming had to stop briefly because of a strike started by the electricians.

    BEHIND THE SCENES · SOURCED

  8. #061

    Magnum champagne bottles have a volume of 1.5 liters, equal two standard bottles and can serve about 12 people; moreover, champagne matures better and more slowly in a magnum bottle.

    BEHIND THE SCENES · SOURCED

  9. #062

    The brief shot of the ferry that brings Iris and Gilbert to England across the English Channel also appears as the Irish Sea ferry in Will Hay's Oh, Mr. Porter! (1937).

    BEHIND THE SCENES · SOURCED

Characters & Cast (13)

  1. #063

    To achieve a realistic effect, Alfred Hitchcock insisted that the film use no background music except at the beginning and end; all music between those points is limited to the tune played by the street musician outside the hotel, the musical code passed to Miss Froy, the "Colonel Bogey March" that Michael Redgrave's Gilbert hums, the dance music Gilbert conducts in the hotel room, and the dance music heard when Margaret Lockwood's Iris meets Gilbert on the train.

    CHARACTERS & CAST · SOURCED

  2. #064

    The characters Charters and Caldicott, played by Basil Radford and Naunton Wayne, proved so popular that they reappeared in further productions, including Night Train to Munich (1940), which also starred Margaret Lockwood, and Millions Like Us (1943), both written by Sidney Gilliat and Frank Launder. The pair also appeared in the BBC radio series Crook's Tour (1940), which was itself adapted into a film, and in "Secret Mission 609." Arthur Lowe and Ian Carmichael played the characters in the 1979 remake, and Robin Bailey and Michael Aldridge played them in the 1985 BBC Television mystery mini-series Charters & Caldicott (1985).

    CHARACTERS & CAST · SOURCED

  3. #065

    Vivien Leigh was screen-tested for the role of Iris Henderson.

    CHARACTERS & CAST · SOURCED

  4. #066

    The song that Michael Redgrave's Gilbert hums is the "Colonel Bogey March," composed in 1914 by Lieutenant F. J. Ricketts under the pseudonym Kenneth J. Alford; the piece later became famous through the film The Bridge on the River Kwai (1957).

    CHARACTERS & CAST · SOURCED

  5. #067

    Many of this film's themes appear in the thriller Flightplan (2005), starring Jodie Foster; for example, someone disappearing from a moving vehicle, a dizzy woman being the only witness, writing on a window as evidence, and so on.

    CHARACTERS & CAST · SOURCED

  6. #068

    Charters and Caldicott (Basil Radford and Naunton Wayne) became such beloved characters that the pair appeared together in ten more films. They turned up again in productions such as Night Train to Munich (1940) and Millions Like Us (1943), whose screenplays were also written by Sidney Gilliat and Frank Launder. They also appeared in the BBC Radio series "Crook's Tour" and "Secret Mission 609".

    CHARACTERS & CAST · SOURCED

  7. #069

    Leslie Gilliat shot screen tests of Michael Redgrave with and without a moustache, and years later recalled that Alfred Hitchcock told him not to put film in the camera while testing an actress for the role of Miss Froy. Hitchcock had already secretly agreed with May Whitty for the part.

    CHARACTERS & CAST · SOURCED

  8. #070

    Michael Redgrave was originally a stage actor and was not very keen to take a role in this film; he joined the project only through John Gielgud's efforts to persuade him.

    CHARACTERS & CAST · SOURCED

  9. #071

    This film is the first production of Michael Redgrave's (Gilbert) screen career.

    CHARACTERS & CAST · SOURCED

  10. #072

    Michael Redgrave had studied at Cambridge University, just like the character Gilbert he played. Early in his career he had also taken singing lessons as a member of a choir, which makes Gilbert's line "I have a strong voice" all the more convincing.

    CHARACTERS & CAST · SOURCED

  11. #073

    With the death of Googie Withers, who played Blanche, in 2011, all the actors named in the film's credits had passed away.

    CHARACTERS & CAST · SOURCED

  12. #074

    Catherine Lacey, who made an unforgettable screen debut in this film, would later again support Margaret Lockwood's leading role, in the film Bad Sister (1947).

    CHARACTERS & CAST · SOURCED

  13. #075

    Nova Pilbeam had been mentioned for the role of Iris Henderson.

    CHARACTERS & CAST · SOURCED

Easter Eggs & References (1)

  1. #076

    The plot contains clear references to the political situation leading to the Second World War. The English characters, who initially do everything they can to stay out of the conflict, eventually begin working together to fight the foreigners in boots, while the lawyer who wants to negotiate with the aggressors is shot dead even as he waves a white flag.

    EASTER EGGS & REFERENCES · SOURCED

Deeper Meaning (15)

  1. #077

    The cricket match Charters (Basil Radford) mentions in the film is the real third Ashes Test played between England and Australia in Manchester in 1938. The result of the match is given correctly at the end of the film in a newspaper headline: "Match abandoned due to rain."

    DEEPER MEANING · SOURCED

  2. #078

    François Truffaut said this film was his favorite among Alfred Hitchcock's works and the one that best represents his cinema.

    DEEPER MEANING · SOURCED

  3. #079

    In the luggage car, as Gilbert (Michael Redgrave) and Iris (Margaret Lockwood) playfully act out Sherlock Holmes and Watson, Gilbert offers Iris a Trichinopoly cigar. This cigar is an important clue in Arthur Conan Doyle's first Sherlock Holmes story, "A Study in Scarlet."

    DEEPER MEANING · SOURCED

  4. #080

    A guitarist serenading Miss Froy beneath the hotel window is mysteriously strangled by invisible hands. We later learn that the musician is using the notes as a code to pass secret treaty details to Miss Froy.

    DEEPER MEANING · SOURCED

  5. #081

    It is said that Orson Welles watched this film exactly 11 times.

    DEEPER MEANING · SOURCED

  6. #082

    The name of the fictional country where most of the story takes place is mentioned in the film. In her first scene, Miss Froy (May Whitty) says, "Bandrika is one of Europe's few undiscovered corners." The first two stations in the film are indicated by signs, and the third through dialogue: Zolnay, Dravka and Morsken.

    DEEPER MEANING · SOURCED

  7. #083

    Gilbert once says he used to drive "a miniature locomotive on the Dymchurch line." The Romney, Hythe and Dymchurch Railway is a real miniature railway in the southeast of England and, as of 2026, still carries passengers with steam locomotives along its 21-kilometer line.

    DEEPER MEANING · SOURCED

  8. #084

    The film's plot contains clear references to the political situation on the eve of the Second World War. The English characters, who initially try to stay out of the conflict, ultimately fight together against the booted foreigners, while the lawyer who wants to negotiate with the aggressors is shot as he waves a white flag.

    DEEPER MEANING · SOURCED

  9. #085

    The melody Gilbert (Michael Redgrave) hums is the classic "Colonel Bogey March" from the early 20th century. This march later became even more famous through the film The Bridge on the River Kwai (1957).

    DEEPER MEANING · SOURCED

  10. #086

    Although the exasperated hotel manager Boris speaks to his staff in the fictional Bandrika language, at the end of the telephone conversation in which he relays Iris's room service order for "champagne," he cries out a Yiddish expression: "Oy vey is mir" (woe is me).

    DEEPER MEANING · SOURCED

  11. #087

    Many themes of this film also appear in the Jodie Foster thriller Flightplan (2005): someone disappearing from a moving vehicle, the only witness being a dazed woman, writing on glass as evidence, and so on.

    DEEPER MEANING · SOURCED

  12. #088

    On the back page of the "International Herald Tribune" that Charters and Caldicott read to check the cricket score, there is a headline referring to Temple's 60-36 victory in the first basketball National Invitation Tournament championship game, played on March 16, 1938.

    DEEPER MEANING · SOURCED

  13. #089

    A 'nun' wearing high heels was also used as a decoy clue in the "1921" segment of the 1957 Irish film The Rising of the Moon.

    DEEPER MEANING · SOURCED

  14. #090

    It appears on the list "1001 Movies You Must See Before You Die," edited by Steven Schneider.

    DEEPER MEANING · SOURCED

  15. #091

    In 1985, Joan Collins also played a secret agent disguised as a nun in an episode of the series Dynasty (1981), and the events again took place in a fictional European country.

    DEEPER MEANING · SOURCED

Sources & editorial notes

Reference databases

  • Wikipedia English Wikipedia article
  • IMDb IMDb title page (trivia)

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