FILM · 2008
The Spirit
35 archived facts 5 topics 1 source Last reviewed Oct 2026
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In the early 1970s, William Friedkin bought the film rights to The Spirit and asked Will Eisner to write a screenplay. Eisner declined but suggested Harlan Ellison write it. In 1976 it was announced that Friedkin's Spirit film would be a television movie airing on NBC. When Friedkin and Ellison fell into an unrelated argument, the plans for the film came to an end.
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In February 2007 Frank Miller completed the first draft of the screenplay and began work on a second draft. Principal photography was initially scheduled to begin in late spring 2007. Miller also planned to start shooting Sin City 2 in spring 2009, and Michael E. Uslan stated that The Spirit would be shot before Miller began Sin City 2. After Gabriel Macht was cast as the Spirit in August 2007, filming was rescheduled for the following October.
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In July 2006, the film industry press reported that Frank Miller would write and direct the film adaptation of The Spirit. Miller and the producers announced this to the public at the 2006 Comic-Con International in San Diego, California. Miller said he had assembled a film treatment containing large portions of The Spirit strip panels. As Miller described the project, "I intend to be extremely faithful to the heart and soul of the material, but it won't be nostalgic. It will be much scarier than people expect." Miller shot the film using the same digital backlot technology used in Sin City (2005) and 300 (2006). The film also copied specific shots from the comic, similarly to Sin City (2005).
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In July 2004, financier OddLot Entertainment bought the film rights. OddLot producers Gigi Pritzker and Deborah Del Prete began collaborating with Michael E. Uslan, Benjamin Melniker and Steven Maier of Batfilm Productions to adapt the story. Will Eisner, who protected the rights to his works, said he believed the producers should adapt The Spirit faithfully. In April 2005, comic book writer Jeph Loeb was hired to adapt The Spirit for the screen, but the writer eventually left the project. Later in April, Uslan met Frank Miller at Will Eisner's memorial in New York City, a few weeks after Miller's Sin City (2005) opened in theaters, and became interested in launching the adaptation technique with Miller's The Spirit. Miller was initially hesitant, doubting his ability to adapt The Spirit, but ultimately took on his first solo project as writer and director. Miller described his decision-making process: "The only thought in my mind was, 'This is too big. I can't possibly do this,' and I turned it down. About three minutes later, at the threshold, I turned around and said, 'No one else can touch this,' and I took the job right away."
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