ACTOR
Burt Lancaster
- Known for
- The Train (1964), Birdman of Alcatraz (1962), The Professionals (1966), Atlantic City (1980)
123 archived facts 4 topics 1 source Last reviewed Oct 2026
Burt Lancaster is an actor best known for The Train, Birdman of Alcatraz and The Professionals.
- #001
- #002
- #003
He was not close friends with Kirk Douglas, as is commonly perceived. Their "friendship" was largely manufactured by the publicity-hungry Douglas; in reality they were highly competitive with each other and at times expressed mutual personal contempt in private, despite their mutual respect for each other's acting abilities.
- #004
He was a fan of the silent film The Unknown (1927), most likely because the film is set in a circus and Burt himself had spent much of his early life in one. He once said that no scene in any film had affected him as emotionally as the scene in this film in which Lon Chaney learns that Joan Crawford does not love him.
- #005
- #006
- #007
- #008
The screenplay for The Bad News Bears (1976), written by his son Bill Lancaster, was based on his father's experience as a coach. Bill had been left disabled by polio in childhood, and according to Kirk Douglas's son Joel Douglas, a friend of Bill's, the Tatum O'Neal character in the film was the odd child Bill. The coach played by Walter Matthau was based on Burt, who was known for his crankiness.
- #009
- #010
- #011
In January 1980, he nearly died during what was supposed to be a routine operation to remove his gallbladder, but the operation, expected to last five hours, turned into an 11-hour ordeal. After the organ was removed, a team of doctors worked to repair an unusually small duct leading from the gallbladder to the intestines, though Lancaster later told a friend that a doctor had accidentally cut a valve. One doctor was reported to have lain on the floor to pray for the actor's life. Lancaster spent 48 hours in intensive care after the surgery.
- #012
- #013
- #014
- #015
- #016
One of the few humanitarian causes he publicly associated himself with was AIDS research. In 1985, he read a letter from Rock Hudson announcing that he would die of AIDS, though there was later some dispute over whether the letter was written by Hudson or by his secretary (in a 2010 Paley Center for Media documentary on gay visibility on TV, writer Bruce Vilanch said he wrote the letter at Hudson's request). This took place at a Hollywood dinner organized to raise awareness, which very few stars, such as Elizabeth Taylor and Burt Reynolds, dared to attend. In 1988, Lancaster appeared in a poster holding a rose with a headline urging people to be careful.
- #017
- #018
- #019
- #020
- #021
- #022
Ironically, despite being an extremely versatile athlete since his days as a circus acrobat, he was not a very good swimmer and had to train with a professional swimming coach for his role in The Swimmer (1968), which he took on after asking his daughter Joanna what she thought of the script.
- #023
- #024
- #025
Burt Lancaster was one of the Hollywood film stars known for their liberal political sympathies, along with Marlon Brando, Sammy Davis Jr., Charlton Heston, Judy Garland, Eartha Kitt, Harry Belafonte, Sidney Poitier and Paul Newman, and in August 1963 he took part in Martin Luther King Jr.'s March on Washington. He flew home from Europe, where he was shooting a film, in order to attend. He was a financial supporter of King and the Southern Christian Leadership Conference.
- #026
- #027
- #028
- #029
Because of his anti-Vietnam War sympathies he turned down the lead role in Patton (1970), but he actively campaigned for the lead in The Godfather (1972), the next film by "Patton" screenwriter Francis Ford Coppola. He offered to do a screen test for the role of Don Corleone, and although Paramount executives were interested in casting him, Coppola wanted Marlon Brando and got him after Brando did his own "screen test" (in fact a video Coppola shot of him improvising as the old Don). Both George C. Scott and Brando won Oscars for these roles and turned them down.
- #030
- #031
- #032
After Hector Babenco handed him the novel at the 1981 New York Film Critics Circle Awards ceremony, Burt Lancaster spent four years trying to secure financing for Babenco's film Kiss of the Spider Woman (1985), adapted from Manuel Puig's novel. Lancaster was to play Molina, the homosexual hairdresser who shares a cell with the political prisoner Valentin. However, Lancaster suffered a heart attack in June 1983 and then underwent quadruple bypass surgery, and at the age of 70 he was in fact uninsurable. He had to withdraw from roles in Maria's Lovers (1984), Gorky Park (1983), Firestarter (1984) and the TV miniseries A. D. (1985). The film was later made for less than 1 million dollars with William Hurt in the role Lancaster had wanted to play. Hurt won the Oscar for Best Actor for the role of Molina.
- #033
In the late 1950s John Wayne approached him and proposed making a western together. Lancaster laughed at the idea and suggested they would also need Kirk Douglas in the film. In reality, Lancaster would not work with Wayne, Hollywood's most prominent Republican activist, who was actively involved in the anti-Communist hysteria (often called "witch hunts") encouraged by Sen. Joseph McCarthy as a founding member and later President of the Motion Picture Alliance for the Preservation of American Ideals. Lancaster had agreed to share top billing with Gary Cooper, a moderate Republican who gave vague testimony to the House Un-American Activities Committee (HUAC) in 1947, after Cooper appeared in the anti-McCarthyite western High Noon (1952). Despite this, after Wayne died in Los Angeles, Lancaster took part in a moment of silence for Wayne on 6/11/79 during the shooting of Cattle Annie and Little Britches (1980).
- #034
On the set of Ulzana's Raid (1972) he told Bruce Davison that he had undergone so much cosmetic surgery over the years that at the age of 58 the only genuine thing about him was his eyes. He also advised Davison not to get too openly involved in the anti-Vietnam movement until he was well established in Hollywood.
- #035
- #036
In the 1960s United Artists forced him to make four films for 150,000 dollars each: because of cost overruns at his production company Hecht-Hill-Lancaster, he was personally liable for The Young Savages (1961), Birdman of Alcatraz (1962), The Train (1964) and The Hallelujah Trail (1965) instead of his usual fee of 750,000 dollars.
- #037
- #038
- #039
- #040
- #041
- #042
Burt Lancaster was cast in a role in Old Gringo (1989), but when he arrived in Mexico City for rehearsals in December 1987, Columbia informed him that he would be replaced by Gregory Peck because his insurance was too high. He sued Columbia for his $1.5 million fee and reached an out-of-court settlement.
- #043
- #044
- #045
- #046
- #047
Burt Lancaster turned down the role of Harry Callahan in Clint Eastwood's Dirty Harry (1971). The vigilante figure — a lawman who oversteps the law to kill a criminal, which some called fascist — conflicted with his belief in criminal and social justice and in collective responsibility for protecting individual rights.
- #048
- #049
- #050
- #051
Luchino Visconti wanted to cast Laurence Olivier as the Italian prince in The Leopard (1963), but his producer rejected the offer. The producer insisted on a box-office star to justify the lavish production's high budget and effectively forced Visconti to accept Burt Lancaster. A decade later, the two Oscar-winning actors competed again, this time for the role of another Italian prince, the Mafia boss Don Corleone in The Godfather (1972), and ultimately lost to Marlon Brando.
- #052
Burt Lancaster turned down a $1 million offer to appear in the remake of Ben-Hur (1959). Had he accepted, he would have crossed the $1 million threshold and beaten both Elizabeth Taylor (Cleopatra (1963)) as the first female star and Marlon Brando (The Fugitive Kind (1960)) as the first male star to do so.
- #053
- #054
Burt Lancaster appeared in eight films nominated for the Academy Award for Best Picture: From Here to Eternity (1953), The Rose Tattoo (1955), Separate Tables (1958), Elmer Gantry (1960), Judgment at Nuremberg (1961), Airport (1970), Atlantic City (1980) and Field of Dreams (1989). From Here to Eternity won in the category.
- #055
A strong and agile man — despite chain-smoking — Burt Lancaster lost two roles in Cecil B. DeMille's films because of politics, owing to his years as a circus acrobat. DeMille, an ultraconservative Republican, refused to consider the liberal Democrat Lancaster for roles in Samson and Delilah (1949) and The Greatest Show on Earth (1952).
- #056
- #057
- #058
- #059
- #060
- #061
In his youth, Lancaster wanted to become an opera singer because he had a good soprano voice, but he lost that talent when his voice broke at the age of 17. His passion for opera never diminished, and he served on the board of the Los Angeles Opera Company. His love of art was passed on to his children, all of whom were connected to it.
- #062
- #063
- #064
- #065
- #066
- #067
- #068
- #069
- #070
- #071
- #072
- #073
In July 1965, United Artists reached an agreement with Burt Lancaster to end its relationship with the production company Hecht-Hill-Lancaster, which had been financially struggling after several late-1950s flops and excessive spending and had ceased operations in 1959. The sum involved was 920,954.85 dollars, or about $5,223,000 in 2003 dollars. Part of the proposed 1964 deal with UA was for Lancaster to star in Khartoum (1966), but the role was ultimately played by Charlton Heston.
- #074
- #075
- #076
- #077
- #078
- #079
- #080
- #081
- #082
- #083
- #084
- #085
- #086
Despite his lasting fame, Burt Lancaster surprisingly appeared only twice on Quigley Publications' Top 10 Money-Making Stars Poll: 4th in 1956 and 10th in 1963. The annual poll of film exhibitors ranked the top stars by box-office drawing power. Even more surprisingly, his friend and co-star Kirk Douglas never made the list during his career.
- #087
- #088
- #089
- #090
- #091
- #092
- #093
- #094
- #095
- #096
- #097
- #098
- #099
- #100
- #101
- #102
- #103
- #104
- #105
- #106
- #107
- #108
- #109
- #110
- #111
- #112
- #113
- #114
- #115
- #116
- #117
- #118
- #119
- #120
The producers initially wanted Burt Lancaster for the role of Rafer Janders in The Wild Geese (1978), but when he began pushing for script changes to give his character a central role, he was replaced by Richard Harris. Lancaster claimed he turned the role down because he considered the film "inferior."
- #121
- #122
- #123
On the set of Little Treasure (1985), Burt Lancaster had a physical altercation with his co-star Margot Kidder. According to Kidder, they argued over how a scene should be played, she took Lancaster to a "whack," and he then retaliated. This occurred when Lancaster was 70 years old and recovering from heart surgery.
Continue through the archive
Atlantic Cityas Lou- The Professionalsas Dolworth
- The Osterman Weekendas Maxwell Danforth
- The Island of Dr. Moreauas Dr. Paul Moreau
- Dead Men Don't Wear Plaidas Swede Anderson
- Seven Days in Mayas Gen. James Mattoon Scott
- The Trainas Paul Labiche
- Birdman of Alcatrazas Robert Franklin Stroud
- Elmer Gantryas Elmer Gantry
- Separate Tablesas John Malcolm