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Sidney Lumet

DIRECTOR · BORN 1924 · DIED 2011

Sidney Lumet

Born
25 June 1924, Philadelphia, Pennsylvania, USA
Died
9 April 2011
Known for
Taxi Driver (1976), 12 Angry Men (1957), Dog Day Afternoon (1975)

25 archived facts 4 topics 1 source Last reviewed Nov 2026

Sidney Lumet (25 June 1924 – 9 April 2011) was a director best known for Taxi Driver, 12 Angry Men and Dog Day Afternoon.

25 Interesting Facts About Sidney Lumet

Interesting Facts (10)

  1. #001

    After the September 11, 2001 attacks on the World Trade Center, Lumet decided to continue filming his series 100 Centre Street in New York that day, which sparked controversy. He told crew members they could leave if they wished, but no one left the set. The incident demonstrated Lumet's commitment to his work and his understanding of maintaining productivity even in difficult times.

    Sidney Lumet — portrait
    Sidney Lumet: portraitImage: Wikimedia Commons · Carl Van Vechten, Public domain

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  2. #002

    Lumet earned a reputation for finishing his films under budget and ahead of schedule. This disciplined working style made him a reliable director in Hollywood and increased his value in the eyes of the studios. His productivity, especially in the 1970s, allowed him to achieve both critical and commercial success.

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  3. #003

    Lumet made a habit of taking a short nap during lunch on set to conserve his energy. He would go to his trailer, swallow a small sandwich in one bite, and sleep for the rest of the break. Over the years he became so disciplined that he did not even need to set an alarm. This routine was a practical method that kept him fresh despite his intense shooting schedules.

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  4. #004

    Roger Ebert said of Lumet's book 'Making Movies' that it 'contains more common sense about how movies are actually made than any other book I have read.' The book offers practical knowledge and insights into the directing process. Ebert's praise shows that the book has become an indispensable resource for film students and professionals.

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  5. #005

    In the early 1970s, Lumet was offered the chance to direct a new version of the bestselling novel 'Marjorie Morningstar.' Finding the novel's look at the Jewish American experience fascinating, Lumet went to meet with the studio. But when the studio executives asked him to reduce the film's 'ethnic identity' and not cast Jewish actors in the lead roles, Lumet was disgusted. In his book 'Making Movies,' he recounted that he objected to this plan in a mocking tone and was eventually fired from the project.

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  6. #006

    Lumet studied with the famous acting teacher Sanford Meisner. The Meisner technique emphasizes actors reaching emotional truth and living in the moment. This training shaped Lumet's approach to directing actors and helped him achieve natural and sincere performances on his sets.

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  7. #007

    Lumet was the first director of Funny Girl (1968), but he had disagreements with producer Ray Stark and star Barbra Streisand and left the project. William Wyler was brought in to replace him. This departure shows Lumet's sensitivity about creative control; he did not want to compromise his own vision.

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  8. #008

    Lumet lived in New York City and in East Hampton on Long Island. New York played a central role in both his personal and professional life; many of his films were set in the city. East Hampton was known as his place of rest and his summer home.

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  9. #009

    Lumet directed comedian and actor Alan King in three films: Bye Bye Braverman (1968), The Anderson Tapes (1971) and Just Tell Me What You Want (1980). King showed in these films that he was also successful in dramatic roles. Lumet brought out his serious acting as well as his comedic talent.

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  10. #010

    Despite Lumet's fast working style, daily working hours on his sets were generally 8 hours plus a one-hour lunch break. This arrangement increased the crew's efficiency while reducing fatigue. Lumet managed to balance work discipline with humane working conditions.

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Characters & Cast (3)

  1. #011

    Roger Ebert relayed a theory of Sidney Lumet's about the inconsistency in Marlon Brando's performances. According to Lumet, on the first scene Brando shot for any director, he would do exactly two takes: in one he displayed his technical skill and research, and in the other he delivered his lines flatly. If the director chose the bland take, Brando would continue the same way for the rest of the film. This theory provided a framework Ebert frequently used in his reviews to explain the ups and downs of Brando's career.

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  2. #012

    Lumet wanted to direct Death Wish (1974) with Jack Lemmon in the lead role. However, this project did not come to fruition and the film was made with Charles Bronson under the direction of Michael Winner. Lumet's wish shows his interest in the action and thriller genres.

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  3. #013

    Lumet directed Martin Balsam in three films: 12 Angry Men (1957), The Anderson Tapes (1971) and Murder on the Orient Express (1974). Balsam is especially remembered for his role as a juror in 12 Angry Men. These collaborations show Lumet's tendency to reuse his casts frequently.

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Career & Awards (6)

  1. #014

    At the 2005 Savannah Film Festival, Lumet was given a lifetime achievement award by the Savannah College of Art and Design. However, the award was later found hidden in bushes at a three-way intersection in Brooklyn. The incident remained in memory as a strange story of the award's loss and recovery.

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  2. #015

    During World War II, Lumet served in the United States Army as a radar technician in the Far East. This military experience contributed to his development of a disciplined work ethic and technical skills. Lumet, who stepped into a film career after the war, also reflected the experiences he gained during this period in his films.

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  3. #016

    Entertainment Weekly named Lumet the 42nd greatest director of all time. Although Lumet is known especially for his films of the 1970s, he produced successful work in many different genres throughout his career.

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  4. #017

    Three of Lumet's films appeared on the American Film Institute's list of the 100 Most Inspiring Films of All Time: 12 Angry Men (1957) at No. 42, The Verdict (1982) at No. 75 and Serpico (1973) at No. 84. These films inspired audiences with their themes of justice, honesty and individual struggle.

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  5. #018

    Lumet was one of the original child actors in Sidney Kingsley's play 'Dead End' on Broadway. The play was later adapted to film under the same name by William Wyler in 1937. This early experience marks the beginning of Lumet's acting career.

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  6. #019

    Early in his career, Lumet worked as an assistant director or director on roughly 250 live TV programs. This experience developed his ability to work quickly and efficiently. Because live broadcast is an environment with no room for error, it increased Lumet's discipline.

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Life & Family (6)

  1. #020

    Sidney Lumet put forward the idea of making the characters Cuban in the 1983 film Scarface and incorporating the 1980 Mariel boatlift into the story. This suggestion strengthened the film's narrative focus on the immigrant experience and the dark side of the American Dream. Lumet's contribution played an important role in the film achieving cult status.

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  2. #021

    Lumet was born the son of Baruch Lumet and Eugenia Wermus, who were actors in the Yiddish theater. The family moved to New York when he was a baby and joined the Yiddish Art Theatre. This theater background fostered Lumet's interest in the performing arts and helped him develop his acting ability at an early age.

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  3. #022

    Lumet directed the actor Bobby Cannavale in two films: Night Falls on Manhattan (1996) and Gloria (1999). These collaborations gave Cannavale important experience early in his career. Lumet was comfortable turning family ties into professional collaborations.

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  4. #023

    Lumet was the former father-in-law of actor Bobby Cannavale and writer P.J. O'Rourke. These family ties broadened his connection to the worlds of art and literature. Lumet's personal life was as colorful as his professional career.

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  5. #024

    Lumet's children are sound editor Amy Lumet and actor Jenny Lumet. Both daughters followed in their father's footsteps and built careers in film and television. Jenny appeared in several of her father's films and is also known as a screenwriter.

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  6. #025

    Lumet directed his father, Baruch Lumet, in two films: The Pawnbroker (1964) and The Group (1966). These collaborations show the professional relationship between father and son. Baruch was an actor trained in the Yiddish theater and took small roles in his son's films.

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Related pages

Sources & editorial notes

Reference databases

  • Wikipedia English Wikipedia article
  • IMDb IMDb name page (biography and trivia)

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